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Various histories of the Order both nationally and internationally.

Letters to and from Mother Mary Martin. They are from the early days of the Medical Missionaries of Mary, and thus are mostly concerned with matters pertaining to the foundation of the order.

The collection comprises over 300 original glass plate negatives and lantern slides. Prior to the invention of cellulose nitrate film in 1903, photographic emulsions were made on glass supports. These glass supports are typically referred to as glass plate negatives. The term ‘glass plate negative’ refers to two separate formats: the collodion wet plate negative and the gelatin dry plate. Both formats consist of a light sensitive emulsion that is fixed to the glass plate base with a binder. This form of photographic process largely faded from the consumer market in the early years of the twentieth century, as more convenient and less fragile films were introduced. Despite the impracticalities of the medium, glass negative plates were generally considered superior to cellulose nitrate film for high-quality imaging because they were extremely stable and less likely to bend or distort.

The collection also includes several lantern slides. Lantern slides were constructed from a base piece of glass, with the emulsion (carrying the photo or print) on it, then a matte over that, and then a top piece of cover glass. They were then taped all the way around to keep the pieces together and to keep dust out. Occasionally, colour was added by hand, tinting the images (these lantern slides were created before the invention of colour film). The slides were then projected onto a screen using a bespoke lantern slide projector. Lantern glass slides were used by some public speakers until the mid-twentieth century, when they were eclipsed by more economical and practical 35mm colour slides popularised by Kodachrome. Finally, the collection also includes some original glass stereo plates. Stereo cameras used a single glass plate negative to capture images. Prints from these negatives were intended to be looked at with a special viewer called a stereoscope, which created a rudimentary three-dimensional image.

Provenance and Collection Content

Precise information on the provenance of the collection is lacking. The plates were retrieved from a worn leather suitcase bearing the initials ‘F.A.’ which almost certainly refers to Fr. Angelus Healy OFM Cap. (1875-1953). Although Fr. Angelus never considered himself an academic historian, he researched assiduously and transcribed many original documents relating to the history of the Irish Capuchins. His ‘Pages from the Story of the Irish Capuchins’ was published in 1915 to mark the tercentenary of the arrival of the first Capuchin friar in Ireland. It is highly likely that Fr. Angelus was responsible for assembling this glass plate photographic collection and that many of the lantern slides were created specifically for his use.

The image content of the glass plate collection is eclectic and varied. Only a relatively small number of the images are dated but it can be inferred that most of the photographs date to the first or second decade of the twentieth century. Many of the plates show images of scenes around the Capuchin Friary in Rochestown in County Cork. The Capuchins established a community in Rochestown, situated about five miles from Cork city, in 1873. The Irish friars had founded a Seraphic School in 1884 with the primary aim of training young religious. This school originally operated along the lines of a novitiate for students who aspired to join the Capuchin Franciscan Order. In 1887, this school was transferred from Kilkenny to Rochestown. The collection includes many images of novice friars and students attached to the Rochestown house. In addition to photographs of the friary itself, local landmarks, buildings, and scenic locations in the environs of Rochestown feature prominently in some of the images. Several photographs showing other Irish Capuchin houses and foundations such as the Church of St. Francis in Kilkenny are also extant in the collection. The collection also includes some rare images of the Reek Sunday pilgrimage to the summit of Croagh Patrick in County Mayo (CA-PH-1-49-55). The 764-metre-high mountain is traditionally climbed by pilgrims on the last Sunday in July. These images were likely assembled by Fr. Angelus Healy OFM Cap., who was known as the ‘Guardian of the Reek’ in honour of his long association with the pilgrimage. His association with Croagh Patrick lasted from 1906 to 1949, during which he climbed the mountain forty-two times missing only two years, in 1919 due to a railway strike, and in 1922 due to the Civil War.

A seemingly separate series of lantern slides relating to the life and career of Fr. Theobald Mathew OSFC (1790-1856), a famed nineteenth century temperance campaigner and Capuchin friar, were also deposited in the collection. It is very probable that these slides were used as illustrative aids by the Capuchins for public talks and auditorium lectures on Fr. Mathew’s campaign against intoxicating liquor. Temperance activity was revived in 1905 when the Irish Catholic hierarchy invited the Capuchins to preach a National Crusade. This revival initially elicited widespread public enthusiasm and by 1912 the Capuchins had administered over a million pledges throughout the country. The lanterns slides were, in all probability, used in this campaign. Finally, the collection also includes images of seventeenth century manuscripts and photographs of other original records pertaining to the lives and ministries of several early Irish Capuchins. These were probably acquired by Fr. Angelus Healy OFM Cap. and Fr. Stanislaus Kavanagh OFM Cap. (1876-1965), another prominent Irish Capuchin historian, for research purposes.

The Capuchin presence in Kilkenny can be traced to 1643 when two friars, Fathers Peter Nugent OSFC and Thomas Tuite OSFC, came to the town after their residence in Mullingar was destroyed by fire. Following their arrival in Kilkenny they stayed in a rented house near St. Canice’s Cathedral. The Bishop of Ossory, the Most Rev. David Rothe (1573-1650), was favourably disposed to the friars and he subsequently gave them charge of one of the chapels in the cathedral. On 8 March 1648 Bishop Rothe granted the Capuchins a canonical foundation with official rights and privileges to minister in the diocese. Though the Capuchins have had a long association with Walkin Street (later Friary Street) in Kilkenny, it is clear that this was not the location of their original foundation. There are references to at least three other locations where they had previously ministered. It is known that Fr. Sebastian Butler OSFC (d. July 1647) secured a residence and a chapel but its exact location has not been established. In about 1650, the Capuchin community consisted of Fr. Barnaby Barnewall OSFC (d. 1663), Fr. Anthony Nugent OSFC, Fr. Christopher Kearney OSFC (d. 1656), Fr. Gregory Mulchonry OSFC, Fr. Fiacre Tobin OSFC (d. 1656) and Br. John Verdon OSFC. Following the upheavals of the Cromwellian conquest, the Capuchins secured a plot of ground on St. Michael’s Lane, adjoining St. John’s Abbey (a former Augustinian Priory), where they established a hospice and an oratory in which ‘they preached the office of missionaries’.

In 1678 the Capuchins had a community of three in the city. Their friary and chapel continued to be situated near St. John’s Abbey. Fr. Nicholas Cornan OSFC was among the regular clergy of Kilkenny mentioned in the will of Bishop James Phelan in 1693. The Capuchin house adjoining St. John’s Abbey was suppressed in 1697 after the passage of the Act of Banishment which aimed to expel ‘all Regulars of the Popish Clergy out of this Kingdom’. Some of the dispersed friars from St. Michael’s Lane later moved to an alms house on Walkin Street. This alms house or ‘Poor House Chapel’ as it came to be known, was founded by Fr. James Tobin OSFC who was a native of Leyrath (or Lyrath) in County Kilkenny. At the rear of the alms house, a small chapel was built which the Capuchins served. The site of ‘Father Tobin’s Poor House’ is covered by the right wing of the present-day Friary, which runs at right angles to Friary (formerly Walkin) Street, near Pennyfeather Lane. Later, Fathers Thomas Murphy OSFC (c.1744-1817) and William Berry OSFC (c.1742-1822) obtained a small plot of ground beside the alms house on which they built a small church and community residence. When the Capuchins obtained this site the endowment of the alms house was transferred to the houses on the opposite side of Walkin Street. This residence was used by the Capuchins until 1848 when Fr. Peter Joseph Mulligan OSFC (1793-1853) built the present-day Friary Church of St. Francis. Fr. Mulligan, who was the guardian or local superior of the Capuchin community, also obtained a lease of a small plot of ground which enabled him to build an entrance to the church directly onto Walkin Street.

The new church was built over the existing alms house chapel ensuring that there was no interruption to day-to-day religious services. The alms house chapel occupied a portion of the area inside the main arches of the present-day Church of St. Francis. The architects for the new church were Messrs Wright and O’Toole. Additional adornment for the new building was secured in the form of a belfry with two bells (still in use), one of which Fr. Mulligan styled ‘Shiel’, and the other ‘O’Connell’, in honour of two of the great champions of Catholic Emancipation in the first half of the nineteenth century. A large cross (the first to be erected over a Catholic place of worship in Kilkenny since the Reformation) was also installed. Fr. Mulligan died in 1853, leaving Fr. Laurence O’Flynn OSFC (1807-1863) as the only Capuchin friar in Kilkenny until 1855 when Fr. Edward Tommins OSFC (1812-1889) arrived. Fr. Tommins secured pillars, pediments and altar cornices from the old cathedral of St. Mary’s and installed them in the Church of St. Francis when the new Cathedral was being built in the 1850s. On 23 September 1868 a new altar piece was erected, executed by Guardiocini, a celebrated Italian painter. In October 1873 a statue of the Sacred Heart by J. O’Reilly of Cork was installed in the sanctuary. An extension of the friary building was completed towards the end of the nineteenth century. On 15 December 1873 the foundation stone was laid for a new friary residence running parallel to Walkin Street. A novitiate for the Capuchin Order in Ireland was also opened in Kilkenny in 1875. A few years later, in 1884, a Seraphic School was established. In 1889 a lease was obtained for a small garden adjoining the friary and in July 1896 the site of the old alms house was obtained from the Most Rev. Abraham Brownrigg (1836-1928), Bishop of Ossory (see CA KK/2/1/1/1/15). This allowed for the building of an additional wing to the friary in 1897. This new wing was located at right angles to Walkin Street and extended to Pennyfeather Lane, completely covering the site of the earlier Poor House (constructed by Fr. James Tobin) and Fr. Mulligan’s later building. Side chapels were added to the church in 1938. The designs for these chapels were completed by John Joseph Robinson & Richard Cyril Keeffe, architects, and the builders were Messrs W.K. Cleere & Son of Kilkenny. The tercentenary of the arrival of the Capuchins in Kilkenny was marked in 1948 with elaborate religious and civic ceremonies. A Friary Hall (St. Francis Hall) was opened in April 1956 and a new novitiate building, designed by Sylvester Bourke (1928-2009), a local architect, was constructed in the early 1960s.

Collection Content

The fonds consists of records relating to the Capuchin community in Kilkenny City and in particular to the foundation known as the Church of St. Francis situated on Friary Street (formerly Walkin Street). The fonds includes legal records relating to the acquisition, transfer and disposal of church property (such as deeds of title, mortgages and bills of sale), financial records, and material relating to individual members of the Capuchin community in Kilkenny. The collection includes a large number of administrative and community files, financial statements and books of account relating to building construction and structural alterations, correspondence, plans, publicity material, photographs, library books and miscellaneous items of commemorative ephemera connected with Capuchin ministries and apostolates in Kilkenny. The collection also includes unpublished historical writings and biographical material relating to notable members of the Capuchin Order who ministered in Kilkenny. The fonds also includes records relating to the lay religious sodality known as the Third Order of St. Francis (now the Secular Franciscan Order) attached to the Capuchin Church in the city.

The fonds consists of the correspondence and papers of Capuchin friars detailing their involvement with participants in the national struggle. The majority of the material dates from 1916-1925 and includes many records highlighting the roles played by Irish Capuchins in ministering to republican leaders and their relations. Of particular interest is a large collection of prison letters including the correspondence of some of the leading figures of the Irish Revolution. The fonds also contains a large collection of republican publicity material, newspapers and miscellaneous items of ephemera and artefacts mostly relating to the military and political campaign organised by nationalists for Irish independence. A smaller collection relating to the repatriation of the bodies of Fr. Albert Bibby OFM Cap. and Fr. Dominic O’Connor OFM Cap. from the United States to Ireland in 1958 is also extant.

Although the Capuchins arrived in Cork as early as 1637 it was many years before they took up residence on the site now known as Holy Trinity Church and Friary. The first Capuchin friars in Cork initially resided on the southern side of the city, just outside the South Gate. The religious upheavals of the seventeenth century occasioned many hardships for the friars who lived in constant fear of arrest and banishment. By the early eighteenth century the Capuchins appear to have established a permanent apostolate in the South Parish and by 1741 had built a small Friary on Blackamoor Lane situated just behind O’Sullivan’s Quay. In 1771 the community was augmented by the arrival from France of Fr. Arthur O’Leary OSFC (1729-1802). A native of West Cork, he joined the Capuchin Order on the continent and was ordained in St. Malo in 1758. O’Leary was responsible for the building of the small chapel on Blackamoor Lane which subsequently became known as the ‘South Friary’. During the first half of the nineteenth century Cork underwent a rapid expansion in both geographical size and population growth. It soon became apparent that the Friary on Blackamoor Lane was not sufficient to meet the demands of a growing congregation. By the mid-1820s, Fr. Theobald Mathew OSFC (1790-1856), Provincial Minister of the Irish Capuchins and guardian (local superior) of the Cork community, decided to build a larger church in a more convenient location. Rejecting a site on O’Sullivan’s Quay, a location on Charlotte Quay (now Father Mathew Quay) below Parliament Bridge was eventually acquired. This area was then a busy a trading and shipping centre with many provisioning merchants, artisans and traders having offices and stores on the quayside. As the city expanded, the emerging Catholic business class sought to assert its power in social and public life. This self-confidence was reflected in the grandiose, perpendicular Gothic design for the new Capuchin church which was submitted by the well-known Cork-based architect George Pain (1793-1838).

Work commenced on the church in October 1832 but almost immediately the project ran into difficulties. The marshy site selected for the building soon became waterlogged and an additional £1,600 was required for the purchase of steam pumps. Afterwards, a lawsuit was filed by George Pain for the payment of an additional £300. In addition, the builder Thomas Anthony, who claimed to have taken the contract at too low a figure, went out of business. The firm of Sir Thomas Deane (1792-1871) & Company completed the church (excepting the steeple) with Thomas Coakley acting as supervising architect following George Pain’s death in 1838. The interior of the church was completed by William Atkins (1811-1887). Theobald Mathew’s preoccupation with the nationwide temperance campaign, the onset of the Great Famine and a lack of financial resources were also contributory factors in delaying the completion of the church. Although the building opened for religious services on 10 October 1850, it remained without a tower and ornamental façade for many years. Money was subsequently collected by the local guardian, Fr. Louis (John) O’Connell OSFC, but the sum was not sufficient to finance the completion of the church. It was not until the centenary celebrations of Theobald Mathew’s birth (1890) that sufficient funds were raised to finish the construction of the building. The church was completed to the design of the local architect Dominick J. Coakley (d. 1914). Although Coakley reduced the size of the spire, the building is largely as George Pain originally designed it. By 1884 the Capuchin friars had also managed to build a Friary adjoining Holy Trinity Church, having previously resided in a house situated at the corner of Queen Street and Charlotte Quay. The Friary building was designed by Robert Walker (c.1835-1910).

In the following years further ornamentation and building work enhanced the church interior. A special bell, replacing one erected sixteen year earlier, was blessed after Mass on 26 April 1896. It was the gift of H. O’Donovan. A memorial to Fr. Bernard Jennings OSFC (1850-1904) in the form of an expansion to the church was undertaken by a special committee formed for that purpose in 1906. This expansion was built upon property which the community had acquired situated to the rear of Holy Trinity Church. Foundation trenches had to be sunk to a depth of twenty feet below street level before construction work could commence. The High Altar, over which a memorial window for Daniel O’Connell had been erected, and two adjoining side altars, were taken down and replaced in the new extension. Shortly after this work was completed the sanctuary was extended, eventually opening in April 1908. A memorial window by Harry Clarke (1889-1931), the renowned stained-glass artist, was erected in 1918 by Cork trade unionists in recognition of the services rendered by Fr. Thomas Dowling OSFC (1874-1951) in improving conditions for the city’s workers. In the late 1970s Fr. Eustace McSweeney OFM Cap., guardian, initiated plans to bring the interior of the church more into line with the liturgical requirements set down in the Second Vatican Council. It also became clear that the physical fabric of the building required extensive renovation work. A survey undertaken by Brian Wain & Associates, architects, discovered serious structural defects including dry rot infestation, damage caused by the ingress of water into roofing spaces and extensive corrosive damage to the steeple. As a result, a major project of reconstruction was begun in January 1982. This renovation work was largely completed within a year and the church was reopened for public worship in November 1982.

Collection Content

The collection consists of records relating to the Capuchin community in Cork city and in particular to the foundation known as Holy Trinity Church and Friary situated on Father Mathew Quay (formerly known as Charlotte Quay). The majority of the material dates from the mid-nineteenth century to the late twentieth century. The fonds includes legal records relating to the acquisition, transfer and disposal of church property (such as deeds of title, mortgages and bills of sale), financial records, and material relating to individual members of the Capuchin community in Cork. The collection includes a large number of administrative and community files, financial statements and books of account relating to building construction and structural alterations, correspondence, plans, publicity material, photographs, and miscellaneous items of ephemera connected with Capuchin ministries and apostolates in Cork. The collection also includes unpublished historical writings and biographical material relating to notable members of the Order who ministered in the city. The collection also includes records and registers relating to the Third Order of St. Francis (now the Secular Franciscan Order) and other sodalities and confraternities attached to Holy Trinity Church.

Father Mathew Memorial Hall, Dublin

Father Mathew Hall stands at the corner of Church Street and Nicholas Avenue not far from Smithfield in Dublin’s north inner city. The origins of the Hall can be traced to the establishment by Fr. Albert Mitchell OSFC (1831-1893) in 1880 of a lay sodality called the ‘Temperance Society of the Sacred Thirst of Our Lord Jesus Christ’. In 1881, meeting rooms were secured for the sodality at 3 Halston Street. The lease for the building was signed on 31 January 1881. The building, although in a dilapidated state, was put into enough order for it to open within a fortnight. The first meeting of the temperance sodality took place in the Halston Street Hall on 14 February 1881. At this time, sodality and religious confraternity membership was increasing all over the country in line with participation in all forms of lay piety such as in rosary, retreat and novena groups. The rapid expansion of membership of the Halston Street Temperance Sodality was emblematic of this period of devotional fervour. Fr. Columbus Maher OSFC (1835-1894) assumed the role of President of the temperance sodality in June 1883. Fr. Columbus undertook the formidable task of resuscitating the entire temperance movement and transforming it once more into a populist working-class crusade. Largely because of his efforts, membership of the Hall rose to over a thousand in both the male and female branches of the sodality. It soon became clear that the Halston Street Hall was inadequate to accommodate the increasing numbers. With the centenary of Fr. Theobald Mathew’s birth approaching in 1890, Fr. Columbus and the sodality committee decided to conduct a search for more suitable premises to meet the growing membership demands and to perpetuate the memory of Father Mathew as the ‘Apostle of Temperance’. Eventually, the committee secured the above-mentioned site on Church Street. The foundation stone of the building was laid by the Most Revered William Walsh, Archbishop of Dublin, on 2 February 1890. It was designed by Walter Glynn Doolin (1850-1902). The Hall was formally opened on 25 January 1891. The total cost of the building was £4,000 to which was added another £2,000 in furnishings. The Hall quickly became a focal point for the local community as membership of the temperance sodality increased to almost two thousand members. Complementing the temperance function of the Hall were other social, cultural, and pastoral activities. Lectures, dramatic entertainments, pantomimes and sports events were organised by the sodality membership. Other activities included billiards, badminton, a drama group (the Father Mathew Players), a reading library and a cycling club.

Fr. Nicholas Murphy OSFC (1849-1923), appointed Sodality President in 1895, extended the Hall in 1901 with the addition of a new wing known as St. Brigid’s Hall. In 1905, further impetus was given to the entire temperance movement by the invitation offered by the Irish Bishops to the Capuchin Franciscans to undertake a ‘national crusade’ against the evils of intoxicating liquor. Fr. Aloysius Travers OSFC (1870-1957) extended the main auditorium of the Hall, inserted a new stage and erected an elaborate proscenium arch decorated with Celtic Revival motifs. A new library for sodality members was opened in the Hall in April 1908 by Fr. Peter Bowe OSFC (1856-1926), Provincial Minister. The Church Street Hall was regularly frequented by those interested in promoting the Gaelic cultural revival including Pádraig Pearse who urged ‘closer co-operation between the Gaelic League (Conradh na Gaeilge) and the Temperance movement in the cause that is common to both … the regeneration of Ireland’ ('Father Mathew Record', May 1908, p. 76). Ownership of the Hall was vested in several elected trustees who represented the members of the temperance sodality. A Capuchin friar was always appointed President. The day-to-day management of the Hall was entrusted to a committee which was selected at an annual general meeting. During the 1916 Rising, Father Mathew Hall was used a field hospital by the Irish Volunteers who had occupied the nearby Four Courts. Capuchin friars gave shelter to wounded citizens, military and rebels, who were tended to by members of Cumann na mBan.

An annual Feis Ceoil competition ('Feis an t-Athair Maitiú') was founded by Fr. Aloysius Travers OSFC in 1909. The initial syllabus included competitions divided between singing, instrumental performances, Irish dancing and artistic creation. Among the first adjudicators at the competition were Sinéad Ní Fhlannagáin (1878-1975), later the wife of Éamon de Valera, and the Sinn Féin politician, Brian O’Higgins (1882-1963). The Feis was an immediate success and attracted nearly two thousand entrants. Encouraged by this initial success more competitions were added to the Feis programme in subsequent years with the avowed aim of preserving native language and culture. In addition, various Dublin-based theatre companies used the Hall for their productions and several fund-raising concerts and drama festivals were held. In 1962, weekly bingo sessions were started, initially in the St. Brigid’s annex, and later in the main auditorium. To facilitate improvements to the Hall, the ownership of the building was formally transferred to the Capuchin Order in the late 1960s. Although these renovations succeeded in creating a relatively modern purpose-built theatre, by the early 1970s the membership of the temperance sodality had dwindled. As a result, the activities of the various temperance societies associated with the Hall came to an end. However, the Feis Maitiú continued to act as a focal point for the promotion of Irish culture and music.

In the absence of any state funding or assistance, the Capuchins maintained sole responsibility for staging the annual Feis competition. The only source for financing the Feis remained entrants’ fees and funding obtained from corporate sponsorship. By the mid-1990s, the costs associated with organising the Feis competition had become prohibitive. Further renovation work was also required if the Hall was to be maintained as a public amenity. In 1998 the decision was made to sell Father Mathew Hall and to discontinue the Order’s direct association with the Feis. In 2001 the Hall was sold by tender to Harry Crosbie, a property developer who converted the building into corporate office suites. As a listed building, the Hall’s interior Celtic Revival plaster-work was preserved, and other external architectural features were restored. The property remained vacant for some years before its purchase in 2014. The building is currently (2021) occupied by Newcourt Retirement Fund Managers Limited (NRFM).

Father Mathew Hall, Cork

Like its counterpart in Dublin, Father Mathew Hall in Cork originally functioned as a meeting place for the local Total Abstinence Sodality attached to Holy Trinity (Capuchin) Church. In 1896, it was noted that the sodality had over three hundred male members. On 30 January 1907, a Hall was opened on what was then Queen Street (later renamed Father Mathew Street). The Hall served as an amenity centre for the local community with a billiard room, a card room, a reading room, and a lecture theatre where occasional plays and talks were held. Major refurbishment work was undertaken in the 1940s during the presidency of Fr. Matthew Flynn OFM Cap. with the installation of new theatre seating, a balcony and improved stage facilities. The destruction by fire of the old Cork Opera House in 1955 left Father Mathew Hall as the only regular theatre venue in the city. Companies such as the Southern Theatre Group and Carol Clopet Productions subsequently signed fixed tenancies in the Hall. The reopening of Cork’s Opera House in 1965 prefigured a decline in the Hall’s fortunes but the commencement of bingo sessions offset some of the financial losses. The Everyman Playhouse Group took up a licence on the auditorium in the early 1970s and their renovation of the Hall ensured the continued survival of the building as a functioning theatre.

'Feis Maitiú Corcaigh' was established in 1927 by Fr. Micheál Ó Sé OFM Cap. (1892-1958) who saw the need for a platform to help and encourage people interested in the performing arts. Cork’s inaugural Feis ran for four days with about 300 competitors taking part. Father Mathew Hall was chosen as the venue for the Feis. The 400-seat auditorium has continued to serve as the festival’s venue ever since. Fr. Micheál served as President of the Feis for twelve years. During Fr. Matthew Flynn’s tenure as President, the first Cork Drama Festival was launched by the then Lord Mayor of Cork, Michael Sheehan. This festival, which has since ceased, was hosted at Father Mathew Hall, and ran for a fortnight under the adjudication of Ria Mooney (1903-1973), the Principal of the Gaiety Theatre School of Acting. By 1985 there were almost 12,000 performers registering with the Feis Maitiú Corcaigh. The festival was subsequently extended to eight weeks with classes in a range of disciplines covering a broad spectrum of the arts. The Feis continues to operate under the patronage of the Capuchin Order but the day-to-day management of the programme is now undertaken by a lay administrator.

Temperance Hall, Rochestown, County Cork

The Temperance Hall at the Capuchin Friary in Rochestown, County Cork, was built in 1913 as a ‘centre of temperance propaganda’ for the surrounding locality. Fr. Sylvester Mulligan OSFC (1875-1950), backed by enthusiastic local support, organised a raffle which raised such a substantial sum that the Capuchins gave permission for the building of the Hall. When completed, the Hall was capable of seating just over 300 people. It was officially opened for public use on 15 December 1913 by the Lord Mayor of Cork and Fr. Thomas Dowling OSFC (1874-1951), Provincial Minister. The new Hall consisted of a concert-platform, an auditorium and spacious committee rooms which could be used as classrooms. Despite the decline of the temperance movement, the Hall continued to function as a venue for drama, music and dancing productions. Fr. Declan McFadden OFM Cap. (1901-1979) later strove to re-organise the management of the building which changed its name to Marian Hall in the early 1950s. Having laid vacant for many years, the former temperance hall at Rochestown was demolished in the 1990s.

Collection Content

The fonds consists of records relating to the Temperance Halls established by the Capuchin Franciscans in Dublin and in Cork. Most of the material dates from circa 1910-1960. The records relate to the establishment of sodalities and confraternities, the opening and operation of temperance halls, and the organisation of missions and retreats connected with the promotion of the Total Abstinence movement. The fonds consists of minute books, administrative files, financial statements, correspondence, plans, publicity material, newspapers, photographs and miscellaneous items of ephemera and artefacts connected with the use of these halls for the promotion of temperance and as locations of recreation for members of various local total abstinence societies. The fonds also includes records relating to the annual Father Mathew Feis ('Feis an t-Athair Maitiú') and to the educational lectures, concerts, sketches, dramatic plays, pantomimes and other social and cultural events held in these Halls to further the cause of temperance. It should be noted that the closure of Father Mathew Hall on Church Street in Dublin in the late 1990s likely resulted in the loss of a significant portion of the archival records of this institution.