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Letters to James Pearse from W.J. Ramsey, Manager, the Progressive Publishing Company, 28 Stonecutter Street, London. The letter of 25 November 1884 encloses a clipping of an advertisement for ‘Socialism a curse / a reply to a Lecture delivered by Edward B. Aveling’ and ‘Is God the First Cause?’ (1883) by ‘Humanitas’ (James Pearse).

Letters to Patrick Pearse from John Merritt, Naval Office, Custom House, New York. The letters refer to Pearse’s efforts to raise funds for St. Enda’s School and to Merrit’s thoughts on the nature of the education system in Ireland. The letter of 20 April 1914 refers to Pearse’s attendance at a meeting in Celtic Park in New York. It reads ‘The unprovoked, senseless, brutal, and cowardly physical assault to which you were subjected at Celtic Park yesterday, within a radius of twenty five feet of me, and in which, I believe, two of your teeth were knocked out, has filled me with disgust at the strange, incomprehensible and fiendish actions of some of my misguided countrymen’. One of the letters is incomplete (the upper portion has been torn away).

'The Liberator' was a weekly newspaper published by Bernard Doyle from offices in Parliament Street, Dublin. The paper espoused opposition to Jim Larkin, the trade union leader during the Dublin Lockout. Each edition featured elaborate and caustic cartoons and editorials invariably attacking Larkin. The file contains a complete bound run of this short-lived journal: 23 Aug. 1913 (Vol. 1. Nos. 1-14). The file also contains 'The Irish Trade Unionist and Labour Year Book, 1913'. Edited by Bernard Doyle, 48 pp.

Publication by Fr. Fintan Roche OFM Cap. on the Irish Capuchin mission in Barotseland, Northern Rhodesia. The booklet was published by M.H. Gill & Son, Dublin.

Photographic prints compiled for an article by Patrick D. Molumby titled ‘Lighting Dublin’, 'The Capuchin Annual' (1973), pp 75-85. The file includes many images of lamps and public lighting in Dublin taken by K. Mullen, Dublin Corporation photographer.

Photographic prints for an article by Fr. Thomas Halton titled ‘Sheelin: The Fairy Pool’, published in 'The Capuchin Annual' (1959). The file comprises prints of various views of Lough Sheelin in County Cavan. The prints are credited to Bord Fáilte Eireann.

The file comprises ‘The Imperial Dry Plate Co., Ltd., Cricklewood, London’ box. The box contains three plates. One of the plates shows an image of a seventeenth century map of the town of Charleville (now Charleville-Mézières) in the Ardennes Department in Northern France. The map shows the location of the church and friary established by the exiled Irish Capuchins in Charleville in the early seventeenth century. The map is titled ‘Charleville sur le Bord de la Meuze dans la Principaute Souuerain Darches’. The map has been attributed to Edmé Moreau (1596-1648). The file also includes topographic views of the walled cities of Sedan and Tovl. A faint ink stamp of the British Museum is visible on the Sedan view. Includes a cover letter from Alan Macbeth, photographers, affirming that the prints were sourced from the ‘Zeillers Topographie Gallae’ collection in the British Museum. The letter is dated 2 January 1920.

A file containing ‘Wellington Plates’ box. The box holds four plates showing details from a pictorial map of Galway (c.1651). Two known copies of the original seventeenth century map exist, one in Trinity College Library in Dublin, and the second in the James Hardiman Library in NUI Galway.

The numbered map details include references to the following:

H. This is described on the map as the ‘Residentia Capuchinorum’. It represents a block of buildings on the north side of Great Gate Street in an area now known as Williamsgate Street. It sits under one of the Great Gates of the city (marked as ‘30’). It is most likely the location of the rented house occupied by the Capuchins in 1644 when they left the Collegiate buildings of St. Nicholas.

F. This indicates the altar erected by the Capuchins for public processions along the main thoroughfare running through Galway. The altar was situated at a place now popularly referred to as the ‘The Four Corners’, at one of which is the well-known fourteenth century stone townhouse called Lynch’s Castle (marked as ‘S’).

Number '8' on the map is a reference to a church, a block of buildings and an ornamental garden with walks. It is referred to on the map as ‘Capuchinorum Aedes’. It is situated outside the city walls and stands on the north side of Bohermore – now known as Prospect Hill. It is located near the old Pigeon House (marked as ‘42’). This is most likely the church and friary built by the Capuchins when they vacated their rented house in 1644. The site of this church is now occupied by The Western Hotel.

Photographic prints of the noted Irish opera singer Margaret Burke Sheridan (1889-1958). The file includes the following images:

• The birth-place of Margaret Burke Sheridan in Castlebar, County Mayo.
• Burke Sheridan with Hilde Gueden (1917-1988), soprano, at the Metropolitan Opera, New York.
• Burke Sheridan with Delia Murphy Kiernan (1902-1971) and her family.
• Burke Sheridan with Gladys Swarthout (1900-1969), opera singer, at the opening night of the Metropolitan Opera in 1955.
• Burke Sheridan with Burton G. Tremaine, a noted art collector, at the opening night of the Metropolitan Opera in 1952.
• Burke Sheridan with Vincent O’Brien.
The file also includes newspaper clippings ('Irish Press', 'Sunday Review') of tributes paid to Burke Sheridan following her death.

Kevin Barry, IRA. ‘Died for Ireland in Mountjoy Prison, Dublin, on Monday, Nov. 1st 1920’. Coloured, with photographic print.
Michael Murphy, Boherard, Carrignavar, died 21 June 1917.
Terence McSwiney, ‘Lord Mayor of Cork, Died for Ireland in Brixton Prison, England on October 25th, 1920’. With photographic print.
Captain Richard Coleman ‘who fought for the Freedom of Ireland, Easter, 1916, and died in Usk Prison, England, on December 9th, 1918’. With photographic print.
Peadar Healy, 86 Phibsboro’ Road, Capt., A. Co., 1st Battalion, Irish Volunteers, died 12 Apr. 1919. One card with photographic print and another in Irish.