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Proofs for the photographic sections in 'The Capuchin Annual' (1936) and 'The Capuchin Annual' (1942). The photographic proofs are copy images, manuscripts and letters relating to the 1916 Rising and the later revolutionary period. With an annotated covering envelope: ‘Pictures from 1936 and 1942 Annual / Blocks in Dollard’s’.

File with envelope annotated ‘Dollard’s’ with various photographic prints of a religious nature. Only some of the prints are annotated. The file includes the following images:

• A confirmation scene
• A Calvary in an unidentified location
• Mother Teresa (1910-1997). Photograph by Sunil Kumar Dutt
• A priest giving the last rites to a dying man
• A blind man begging on O’Connell Bridge, Dublin

File of photographic negatives compiled to illustrate articles in 'The Capuchin Annual'. The file includes images of: postage stamps (some over-stamped with Saorstát Éireann; a wedding party; Pope Paul VI; religious sisters; the Four Courts, Dublin; agricultural scenes in Ireland; liturgical artworks; Notre Dame Cathedral, Paris; the grave-stone of William Butler Yeats; postage stamps designed by Richard King; ‘The Emigration Agents’ Office – the Passage Money Paid’, Illustrated London News, 10 May 1851; the statue of Seán Russell, Fairview Park, Dublin; the Tokyo National Stadium during the 1964 Summer Olympic Games; Croke Park, Dublin.

This section includes prints submitted for specific photographic supplements, articles, subjects or features in 'The Capuchin Annual'. Details of the photograph’s publication date in the 'Annual' (where known) are included.

The extensive and often lavish use of photographs in 'The Capuchin Annual' set the publication apart from many other periodicals of the time. Photography in the 'Annual' served a very clear purpose – it projected an idealised image of Ireland to its wide readership in a way that was arguably more effective than any prose. In the early years, scenic views such as ‘Evening in Dublin’ or ‘Killiney Bay’ would appear randomly, but in later years photographic features became far more extensive. The 'Annual’s' photographic archive is particularly rich and constitutes a valuable pictorial record of life in Ireland in the twentieth century.

Clippings of photographs relating to the life of Dom Columba Marmion OSB taken from an uncited publication. The file includes images of Marimon’s family in Dublin, ‘Joseph Marmion (Clonliffe, 1876)’, Marmion in Louvain in 1900, Maredsous Abbey, and Marmion with Cardinal Désiré-Joseph Mercier.

This section includes bound volumes containing prints intended for publication in 'The Capuchin Annual'. The volumes are labelled (primarily) ‘Views of Irish Life’ with one volume titled ‘Notable Persons’.

This section comprises photographic prints submitted for potential publication in 'The Capuchin Annual' by well-known photographers and studios. Some of these photographers published extensive pictorial features and supplements in the 'Annual'. The contributors are listed alphabetically by surname.

Wrapped photoengraving plates of liturgical artwork produced by Richard King for publication in 'The Capuchin Annual'. Annotations on the wrapping provide identifying captions for some of the images. These include:
• The Crucifixion (1934)
• St. Ita (1945/6)
• St. Brendan (1945/6)
• St. Jarlath (1946/7)
• St. Finbarr (1946/7)
• St. Maelsechlan (1946/7)
• St. Brigid (1946/7)
• St. Macartan
• St. Senan (1948)
• St. Columban (1945/6)
• St. Fiacre (1948)
• St. Kevin (1948)
• St. Kieran
• St. Muiredach
• St. Flannan
• St. Finnian
• Fr. Theobald Mathew OSFC