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A clipping of a report (with photographs) on the opening of an exhibition of the work of the sculptor Clare Sheridan in the Dawson Galleries in Dublin. Fr. Senan Moynihan OFM Cap. attended the opening. The article is taken from ‘The Standard’ (28 May 1948).

An information flier on the Mainie Jellet travelling scholarship fund established to perpetuate the memory of her ‘inspiring work as a teacher and friend of the younger generation of Irish artists’.

A clipping of an appreciation by James White of the Ulster-born artist James Sleator.

A card publicising an exhibition of art from the Joseph Brennan Collection at the Dawson Gallery in Dublin. The exhibition included sculptures by Albert Power and Jerome Connor and paintings by Walter Osborne and Nathaniel Hone.

A photographic print of Fr. Senan Moynihan OFM Cap. (right) with Peadar Seán Doyle, Lord Mayor of Dublin, outside St. Mary’s Pro-Cathedral on Marlborough Street.

A photographic print of Fr. Senan Moynihan OFM Cap. with Judge John J. Kelly (first on the right) at Dublin Airport. Kelly was President of the Irish Fellowship Club in Chicago and Chairman of the Chicago National Bank. The individual on the left is identified as a Mr. Fitzgerald. An annotation on the reverse of the print credits the image to the ‘Irish Independent’.

A photographic print of the blessing of the Chapelle du Rosaire de Vence (Chapel of the Rosary of Vence), frequently referred to as the Matisse Chapel, on the French Rivera. The Dominican chapel is notable for having been built and decorated between 1947 and 1951 under a plan devised by the artist Henri Matisse (1889-1954).

A clipping of a profile of the artist Seán O’Sullivan by Kess van Hoek. The article was published in the ‘Irish Times’ (29 September 1951).

A clipping of Seán Keating working on one of the fourteen panels of the Stations of the Cross for the chapel in St. Eunan’s College in Letterkenny in County Donegal. The clipping is taken from the ‘Sunday Express’ (7 October 1951).

A clipping of an article on the wood carvings of Clare Sheridan on display in the Ashley Gallery in London. The article was published in ‘The Tablet’ (6 October 1951).