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A postcard from John O’Gorman (1908-1994) to Fr. Senan Moynihan OFM Cap. O'Gorman painted a view of Dingle Harbour on the image side of the postcard. O’Gorman remarks that he was enjoying the scenery in County Kerry (Moynihan's home county).

A letter and signed print of Micheál Ó Ciánain (Michael Keenan), a piper from Shercock in County Cavan, to Fr. Senan Moynihan OFM Cap. His letter refers to a local tradition regarding Andrew Campbell (1711-1769), the Bishop of Kilmore, who was known as the ‘the Piper Bishop’ during the Penal era. Ó Ciánain explains how the prelate ‘disguised himself as a piper’ with the instrument serving as ‘a Bell to call the flock together at a time when no Bell could be heard’.

A letter from George Noble Plunkett (1851-1948), 40 Eglin Road, Dublin, to Fr. Senan Moynihan OFM Cap. Plunkett urges the publication and wide distribution of the 'statement of the case of partition'. The 'statement' is probably 'The Orange Terror' by 'Ultach' published in 'The Capuchin Annual'.

Letter from Annette Cambreth Kane (1864-1952), a sister of Douglas Hyde, to Fr. Senan Moynihan OFM Cap. She thanks the Capuchin friar for his kind remembrances for her deceased brother and affirms that the late President 'valued your friendship'.

A copy letter from Fr. Senan Moynihan OFM Cap. to Maud Gonne MacBride (1866-1953) referring to her distress at her son's (Seán MacBride) current difficulties. Fr. Senan contents that Seán is 'well able to fight a battle too, his mother's son'. He also mentions the letter he wrote to her about Francis Stuart.

A letter from Eoin MacNeill (1867-1945) to Fr. Henry Rope. MacNeill argues that Roger Casement was 'remarkably sane and well balanced' and affirms that he had 'no opportunity of consulting with him' as he was in America when war broke out. MacNeill also refers to his Irish history scholarship and to his work as chairman of the Irish Manuscripts Commission.

A clipping of an article titled 'Real Irish Music' published in 'The Waterford Star' (28 Nov. 1903). The article takes the form of a letter to the editor from 'a real admirer' and refers to Fr. Richard Henebry's scholarship on traditional Irish music.

Attendance record of the first and second Dublin Battalions of the Irish Volunteers. The entries are dated 15 April 1916. The record includes the signatures of Seán Heuston (Seán Mac Aodha), Richard McKee, Mícheál Ó Murchadha, The O’Reilly (Ua Rathghaille), William Pearse, and Thomas MacDonagh.

Copy letter from James Pearse to Charles Bradlaugh. The letter reads ‘I am placed in a very paradoxical position – an image maker by profession and an image breaker by inclination’. He adds ‘I have been dangling – to use a scriptural phrase – between Hell and Heaven for the last twenty five years of my life: only that I reverse the meaning of the words: - everything appertaining to ecclesiasticism I regard as the former; and to be free of which, I regard as the latter’.

Five cartes de visite of sculptural monuments related to the workshop of James Pearse, 27 Great Brunswick Street, Dublin. Some of cards are annotated by James Pearse. Two of the images are described as the ‘Pulpit / Inchicore / Rough model’. One of the cards is annotated on the reverse ‘Pearse & [Edward Sharpe, sculptors]’. One of the cards is credited to the studio of William Lawrence, photographer, 5 & 7 O’Connell Street, Dublin. The decoration of the altar and communion rail in the Church of Mary Immaculate on Tyrconnell Road in Inchicore, Dublin, was crafted by James Pearse. This prominent church was built for the Missionary Oblates of Mary Immaculate between 1875 and 1880.