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The file comprises the following editions of this Irish nationalist newspaper edited by D. Gwynn and P.S. Little:
Bound editions:
27 May 1922 (new issue, vol. 1, no. 1)-24 June 1922 (new issue, vol. 1, no. 5)
Loose editions:
7 July 1917 (Vol. IV, no. 9)
9 Aug. 1919 (Vol. VIII, No. 14) (pp 219-20 only);
16 Aug. 1919 (Vol. VIII, No. 15);
17 June 1922 (new issue, vol. I, no. 4) (pp 3-4 only);
24 June 1922 (new issue, vol. I, no. 5);
1 July 1922 (new issue, vol. I, no. 6).

The file comprises:
9 Aug. 1922 (no. 1);
12 Aug. 1922 (no. 3);
15 Aug. 1922 (no. 5). 2 copies;
22 Aug. 1922 (no. 7). 2 copies;
1 Sept. 1922 (no. 10). 2 copies;
5 Sept. 1922 (no. 12);
16 Sept. 1922 (no edition number). Title page has a drawing ‘With the IRA (somewhere in Ireland)’ by Constance Markievicz;
17 Sept. 1922 (no. 15). 2 copies;
27 Sept. 1922 (no. 19);
28 Sept. 1922 (no. 20). Title page has a drawing ‘Free Staters in Action’;
1 Oct. 1922 (No. 21). Title page has a drawing ‘With the Dublin Brigade, IRA’ by Constance Markievicz;
8 Oct. 1922 (no. 23). 2 copies;
22 Oct. 1922 (No. 30);
27 Oct. 1922 (No. 33).
The issue of 8 Oct. 1922 is annotated on the reverse ‘G.K. 544 N.C.R., A.F. M. Philips. It was found in an envelope with a manuscript annotation: ‘Rev. Fr. Sebastian [O’Brien OFM Cap.]’.

The file contains the following editions of this Anti-Treaty newsletter:
12 Aug. 1922 (No. 1)-23 Sept. 1922 (No. 6)
6 Sept. 1922 (No. 8)-4 Nov. 1922 (No. 12)
18 Nov. 1922 (No. 14)-19 Dec. 1922 (No. 19)
Multiple copies of some editions of 'The Nation' are extant in the file. With two copies of 'Handbills for Heretics', an undated Anti-Treaty publication which re-used some content from 'The Nation'.

Photographic prints (stills) from the 1936 film 'The Dawn'. This was the first full-length Irish feature film with sound. 'The Dawn' was made by Hibernia Films and was produced and directed by Tom Cooper. Scenes from the film were shot in and around Killarney, County Kerry. The film tells a tale of romance and tragedy set against the backdrop of the War of Independence. The cast included 250 amateur actors drawn from the locality. Some of the cast were IRA veterans of the War of Independence. Several of the prints show reconstructions of an ambush on British forces.

Proposed design for the completion of Holy Trinity Church, Cork by Edward Welby Pugin (1834-1875) and George Coppinger Ashlin (1837-1921). Print by J. Lewis, 29 Dame Street, Dublin. With a typescript note possibly by Fr. Angelus Healy OFM Cap. referring to the provenance of the proposed design. The note affirms that in June 1877 Ashlin had ‘been employed by Fr. Thomas, Superior of Cork, to examine the foundations of the Church of the Most Holy Trinity, Cork, with a view to completing the front of the Church, and erecting a Tower. … The proposed design shows portions of the Friary at both sides of the Church’. This proposal did not materialize, and the completion of the Church façade, and the erection of the spire was not done until the celebration of the centenary of the birth of Fr. Theobald Mathew OSFC in 1890.

Photographic print of Fr. Stephen OSFC (from Rheims, France) and Br. Leo OSFC (a Dutch Capuchin friar), probably in Holy Trinity Friary in Cork. An annotation on the reverse reads: ‘Sitting, Fr. Stephen – Capuchin at Rheims. He made part of his studies in Rochestown and was ordained in Cork about 1881. The other is Br. Leo who came to Ireland as Br. Master in 1875 or 74’. It should be noted that Br. Leo of Venlo OSFC, from the Capuchin Province of Paris, died on 27 January 1927. (See GP/119). The smaller copy print is annotated on the reverse: ‘Br. Leo, a Hollander, Fr. Stephen, a Frenchman’. The file contains the original print and a copy print.

‘Irish View Scenery’ cards issued by Gallaher Cigarette Company Ltd. The cards are numbered: ‘No. 60: Father Mathew’s R.C. Church, Cork’; ‘No. 310: Father Mathew Statue, Cork’. The cards were issued by Gallaher Ltd. between 1908 and 1910. The complete set runs to 600 cards. Many of the photographs were taken by Robert John Welch from Belfast, and by William Lawrence, a Dublin-based photographer and studio owner. With a cover letter (dated 18 June 1982) to Fr. Nessan Shaw OFM Cap. from Walter McGrath explaining their provenance.

A set of three photographic postcard prints of the exterior of Holy Trinity Church, viewed from opposite bank of the South Channel of the River Lee in Cork. One of the prints is colourized and has an insert of the Father Mathew Statue on St. Patrick's Street in Cork.

Two images of the exterior of Holy Trinity Church on Father Mathew Quay viewed from the opposite bank of the South Channel of the River Lee in Cork.

A set of three postcard prints of the exterior of Holy Trinity Church on Father Mathew Quay in Cork. One of the postcards is part of the ‘Valentine’s “Sepiatype” series’.