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A photographic print of a large group of Royal Irish Constabulary members, possibly the Auxiliary Division of the Royal Irish Constabulary, more commonly known as the ‘Auxiliaries’, or ‘Black and Tan’ constables.

A photographic print of a Royal Irish Constabulary rugby union team. The print has numerals on some of the individuals in the group.

A postcard reproduction of a painting of Constance Markievicz by the Polish artist Bolesław Szańkowski (1873-1953). The portrait dates to 1901 when Markievicz was resident in Paris. The postcard reproduction is captioned ‘Constance Countess Markievicz TD’ and probably dates to the early 1920s when she was serving as a Teachta Dála in Dáil Éireann.

A photographic print of Fr. Augustine Hayden OFM Cap. and other clerics in a funeral procession on Dame Street in Dublin. The funeral may be that of Thomas Ashe (30 September 1917).

A studio photographic print of William Gibson, 2nd Baron Ashbourne, an Irish language activist.

A photographic print of the grave of Arthur Griffith in Glasnevin cemetery in Dublin.

A photographic print of British Army soldiers and a Rolls Royce Pattern Mk1 Armoured Car.

An illustration referring to the pseudonym ‘Ultach’ used by J.J. Campbell for ‘Orange Terror’ article published in ‘The Capuchin Annual’ (1943). The illustration is an adaptation of the story by Aesop of the fox (the Orange Order) attempting to trick the rooster (‘Ultach’) into coming down from his perch. The drawing is probably by the artist Richard King (1907-1974).

A clipping of an article referring to the recapture of the republican leader Hugh McAteer on the Falls Road in Belfast. The article is taken from the ‘Belfast Telegraph’ (20 November 1943).

A clipping of an article in which Seán Ó Faoláin gives his views on partition. Reference is made by Ó Faoláin to the ‘Orange Terror’ article in ‘The Capuchin Annual’ (1943). The article was published in the 'Sunday Independent' (28 March 1948).