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The sub-series consists of correspondence, clippings, programmes, and printed materials related to the Feis Maitiú in Cork.

Hall-marked silver and bronze Father Mathew Feis medals of uniform Celtic Cross design. Some of the medals have an orange ribbon fastener. The medals are engraved on the reverse with:
• ‘1st prize Drawing & Designing (Class B). 1924’.
• ‘Club Swinging Seniors. 1929’.
• ‘Physical Culture – 1928-29-30. Maggie Hamilton’ (digital image above).
• ‘Swedish Drill. Maggie Hamilton. 1930’.
• ‘2nd Prize / Domestic Science / Crochet / 1925’.
• ‘2nd Prize / Domestic Science/ Overall / 1925’.
• ‘2nd Prize / Sewing / Class D / 1926’.
• ‘Senior Club Swinging / 1930’.
• ‘Senior Club Swinging / 1931’.
• ‘Physical Culture / 1931’.
• ‘Senior English Elocution / 1931 / Second’.
Three of the Celtic Cross Feis Maitiú medals have no engraving on the reverse. The file also includes the metal die used to strike the Feis medal.

A programme for concerts given by various prizewinners at the Father Mathew Feis in Dublin in April 1915.

Programmes for the Father Mathew Feis, Cork. The printed programmes include timetables and syllabuses of competitions, and souvenir publications. The programmes list the dates and times of the competitions and the names of the various judges and adjudicators. The following programmes are extant: 1927-8; 1932; 1937-8; 1941; 1946; 1961; 1963-4; 1968; 1971-9;
1980-9; 1990-9; 2000-13; 2015.

Programmes for the Father Mathew Feis, Church Street. The printed programmes include timetables and syllabuses of competitions, souvenir publications and official prize lists. The programmes list the dates and times of the competitions and the names of the various judges and adjudicators. The adjudicators at the 1913 Feis included Sinéad Ní Fhlannagáin (1878-1975) and Seán S. Ó Ceallaigh (otherwise known as ‘Sceilg’, 1872-1957). Eoin MacNeill (1867-1945) was a literary judge at the 1910 Feis. The programmes for 1909 and 1911 are copy prints from 'The Father Mathew Record'. Programmes for the following years are not extant in the file: 1912; 1932-39.

Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.

Although the Irish Capuchins had a long tradition of involvement with the temperance movement, their connection with this apostolate was reinvigorated in 1905 when the Catholic hierarchy invited the Order to preach a ‘national crusade’ on the merits of total abstinence. The Capuchins’ commitment to sobriety as a moral and social ideal was promoted through the founding of lay sodalities and temperance halls where the pledge to abstain from alcohol was taken. The Father Mathew Memorial Hall on Church Street was opened in 1891. Funded by voluntary subscriptions, this temperance hall was built by Joseph Kelly & Sons of Thomas Street, Dublin. The total cost was about £4,000. It was designed by Walter Glynn Doolin and was initially plainly decorated. Before the addition of extensions in 1904 the main auditorium was 73 feet in length and 39 feet wide. In total, there was accommodation for about 900 people. There was also a coffee bar, a billiard room, and a reading room. The interior of the auditorium was greatly embellished in 1909 when an elaborate proscenium arch, stage and gallery were added. The plasterwork was executed by the firm of John Ryan of Upper Abbey Street to the designs of Anthony Scott of O’Connell Street, Dublin. This series comprises records relating to the Hall’s primary function to promote sobriety ‘by providing instruction and healthful amusement’. It should be noted that the Hall’s drama group, band, debating society and athletics’ club were initially only open to total abstainers. The records also reflect the varied social functions of the Hall.

A view of the interior of the Father Mathew Pavilion at the Cork International Exhibition of 1902. The image shows a large decorative banner and models of Holy Trinity Church in Cork, and Thomastown Castle, County Tipperary, the childhood home of Fr. Mathew. The plate is captioned.

An image of Fr. Thomas Dowling OSFC (1874-1951) standing outside the entrance to the Father Mathew Pavilion at the Cork International Exhibition in 1902.

An interior view of the Father Mathew Pavilion at the Cork International Exhibition of 1902. The image shows a decorated altar with candlesticks, bells and books. A large portrait painting of Fr. Mathew is visible on the rear wall.