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Photographic prints of the noted Irish opera singer Margaret Burke Sheridan (1889-1958). The file includes the following images:

• The birth-place of Margaret Burke Sheridan in Castlebar, County Mayo.
• Burke Sheridan with Hilde Gueden (1917-1988), soprano, at the Metropolitan Opera, New York.
• Burke Sheridan with Delia Murphy Kiernan (1902-1971) and her family.
• Burke Sheridan with Gladys Swarthout (1900-1969), opera singer, at the opening night of the Metropolitan Opera in 1955.
• Burke Sheridan with Burton G. Tremaine, a noted art collector, at the opening night of the Metropolitan Opera in 1952.
• Burke Sheridan with Vincent O’Brien.
The file also includes newspaper clippings ('Irish Press', 'Sunday Review') of tributes paid to Burke Sheridan following her death.

Photographic prints relating to the state visit to Ireland of King Baudouin (1930-1993) and Queen Fabiola (1925-2014) of Belgium in May 1968. The file was compiled for a photographic feature published in 'The Capuchin Annual' (1969). The file includes press prints showing their arrival at Dublin Airport, their attendance at a state banquet at Dublin Castle, laying a wreath at the military cemetery in Arbour Hill, and a visit to Áras an Uachtaráin where King Baudouin played hurling with President Éamon de Valera and the Taoiseach, Jack Lynch. Frank Aiken, Minister for External Affairs, is also present in some of the photographs

Photographic prints compiled for an article by Jim Fahy titled ‘Patrick Sarsfield Gilmore’ published in 'The Capuchin Annual' (1974). One of the prints shows the unveiling by Brian Lenihan of a memorial plaque in Ballygar, County Galway, in 1969.

Photographic prints compiled for an article by Bishop Timothy Phelim O’Shea OFM Cap. (1902-1979) titled ‘The Irish Capuchins in Cape Town and Zambia / from virgin mission territory to diocese’, published in 'The Capuchin Annual' (1975). The file includes images of Capuchin friars, Franciscan Missionary Sisters, hospitals, clinics and schools established by religious congregations, and locals availing of care and education at these establishments. The file includes the following images:

• The official opening of Mongu Training College, Zambia, in 1970.
• St Francis Mission, Malengwa, Mongu, Zambia.
• Irish Christian Brothers in Mongu, Zambia.
• Classroom block, St. John’s College, Mongu, Zambia.
• Irish, French and African teachers in Mongu, Zambia.
• Doctor O’Connor ministering to three women suffering with leprosy at St. Joseph’s Mission, Mangango, Zambia.
• African Franciscan Missionary Sisters with Bishop Timothy Phelim O’Shea OFM Cap.
• Sisters teaching African children in an open-air class in Basutoland (later Lesotho).
• Bishop O’Shea saying the rosary at a leper grotto in Mangango.
• Group of secondary school girls at Malengwa.
• Blessing of a new church at Shimano near Mangango Mission, Zambia. The print shows Fr. Benignus Buckley OFM Cap., Fr. Dermot Duffy OFM Cap. and Fr. James Connolly OFM Cap.
• Fr. Conor Brady OFM Cap. (1923-1993) at the grave of Fr. Gerard Joyce OFM Cap. (d. 12 July 1944) in Sihole.
• President Kenneth Kaunda at the opening of Sesheke Hospital, Zambia.
Note: See also Introduction and Guide to the Papers of the Irish Capuchin Missions in Africa

Photographic prints compiled for an article by T.F. O’Sullivan titled ‘The Big House’, published in 'The Capuchin Annual' (1977). The file includes prints of the interior and exterior of Borris House, the ancestral home of the MacMurrough Kavanaghs in County Carlow, and a depilated shopfront possibly in Borris. The prints are credited to T.F. O’Sullivan. The file also includes images of Glashganny Lock on the River Barrow.

Copy prints compiled for an article by Dermot Keogh titled ‘William Martin Murphy & the origins of the 1913 Lockout’ published in 'The Capuchin Annual' (1977), pp 130-58. The file includes copy prints of contemporary newspapers covering the Lockout dispute and images of William Martin Murphy, James Connolly and Jim Larkin.

Copy letters of Fr. Henry Anglin OFM Cap., mainly to authors regarding articles they intend to publish in 'The Capuchin Annual' in 1976. Other letters refer to orders and requests for the 'Annual', expressions of gratitude for complimentary copies, and reviews of the text. The file also includes several original letters to Fr. Henry Anglin OFM Cap. The file includes letters from Dr. Daphne Pochin Mould, Donal Brennan, E.M Lysaght, Mannix Joyce, Fr. James W. Kelly CC, Padraic Fiacc, Patrick W. Smyth, Fr. Theodore Crowley OFM, Pieter Otten, Maura Scannell, Conleth Ellis, Dr. Margaret Sheridan, Michael O’Beirne, Jack Lynch, Seán Cronin, Primo Basso, Fr. Paschal Larkin, Brian Scanlon, Alice Rynne, Seán Ó Síochán, Cathal O’Shannon, Marie O’Kelly, Monsignor Tomás Ó Fiaich, Fr. Nessan Shaw OFM Cap., Walter McGrath ('Cork Examiner'), Fr. Denis Faul, Alan Denson, Charles Conaghan, Tadhg Gavin, Alison King, Benedict Kiely, Margaret Sheridan, Arthur Mitchell, Elizabeth May, Fr. Sebastian Lee OFM, Fr. Brendan O’Mahony OFM Cap., Oliver Snoddy, Professor J. Weingreen, and Fr. T.J. Walsh.

Receipt and expenditure book of the Capuchin Publications Office. The accounts provide details of cash lodgements, and income accruing from advertising, sales of the 'Orange Terror' offprint, the 'Angelic Shepherd', the ‘Irish Saints’ Cards’, designed by Richard King, and from the Association Patrons of 'The Capuchin Annual'. Includes figures for expenditure in respect of salaries, postage, and payments made to John English & Co., printers. The first part of the journal includes a list of promoters (possibly for 'The Capuchin Annual') and two inserts of accounts from 1938 which are seemingly unconnected to the Publications Office.

A letter and notes from Conor A. Maguire re his article titled ‘Republican Courts’ in 'The Capuchin Annual' (1969). Maguire provides some additional detail in relation to the photographic of the Republican Court sitting in Westport in 1920 (p. 383). The note reads: ‘I recognise John Kelly, later County Registrar, and J.C. Garvey, Solicitor, Castlebar, from whom I received the photograph after the Truce. He told me that he had arranged to have it taken and had kept it hidden behind the shutters in his office. Noticeable at the back are two of the IRA Police, easily identifiable, as they stand at attention with their caps on. One, I understand, was Seán Gibbons’

Three images of sculptural monuments most likely related to the workshop of James Pearse. One of card images is annotated (‘Subjects from Pulpit, Athlone’).