A very large collection of metal stereotypes and photoengraving plates (most of which are mounted on wooden blocks) used for printing purposes for 'The Capuchin Annual'. Photoengraving was a process used in preparing illustrations for printing by transferring images to metal plates by a combination of photography and acid etching. Photoengraving was widely used in making plates for various printing processes, reproducing a wide variety of graphics such as lettering, line drawings and photographs. A stereotype consisted of engravings from a drawing or from an illustration. If required, duplicate stereotypes could be set beside text composed on a linotype machine and headings in hand-set type. Photoengraving plates and stereotype blocks were frequently mass-produced for advertisements and were sent to various printers, newspapers and publishers. These photoengraving plates and stereotype blocks were transferred (many still extant in filing cabinets) to archival storage following the closure of the Capuchin Publications Office in 1977. Many of the plates and blocks are numbered but only a few have identifying captions or annotations.
Printing block used to reproduce the shield symbol of the Father Mathew Total Abstinence Association. The printing block was probably used in the production of pledge certificates in the mid-twentieth century.
The sub-series contains a select collection of publications formerly held by the editors of 'The Capuchin Annual' in the Publications Office. It is probable that many books, periodicals and journals were transferred to the Provincial Library in the Capuchin Friary on Church Street. Many others may have been discarded.
In the circular Plunkett promoted Sinn Féin’s strategy and declared that ‘the position of the Irish Party during Easter Week was deplorable. The Leader of the Irish Party [John Redmond] accepted the points of view of the government. He speaks like an Englishman intent on maintaining English supremacy, not as an Irishman who believes that his Nation has the rights common to all nations, and the duty to wrest her liberties from foreign control by every means in her power’.
A clipping of a reproduction of a painting by Casimir Dunin Markievicz. The caption notes that the original is in the possession of Thomas MacDonagh. The clipping is taken from the ‘Irish Review’ (July-Aug. 1914). (Volume page 110).
