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A clipping of an article referring to an attack on pilgrims travelling to the Eucharistic Congress in Dublin who were accosted while on a train from Belfast. The article is taken from the ‘Irish Press’ (June 1932).

A clipping of an article of a letter by R.J. MacColl criticising Seán Ó Faoláin’s views on the ‘Orange Terror’ publication. The letter was published in the ‘Sunday Independent’ (4 April 1948).

A clipping of an obituary for the artist and President of the Royal Hibernian Academy Dermod O’Brien. The article notes that he was the grandson of William Smith O’Brien, they Young Irelander. The obituary was published in the ‘Irish Press’ (5 October 1945).

A clipping of a letter from the artist Paul Henry regarding the need to find an appropriate location in Dublin for a gallery to house the paintings from the Hugh Lane bequest. The letter was published in the ‘Irish Independent’ (4 October 1922).

A clipping of an article by Hylda Boyd title ‘Stained Glass at An Tur Gloine’. The article was published in the ‘Irish Statesman’ (13 March 1926).

A letter from Sir Shane Leslie, 18 Knightsbridge Court, Sloane Street, London, to Fr. Senan Moynihan OFMCap. re a painting titled ‘The Eviction’ by Lady Butler (Elizabeth Thompson, 1846-1933).

A file of photographic prints of the sculptor Albert Power. The volume holds several prints of Albert Power and his work.

A letter from Germaine Stockley to Fr. Senan Moynihan OFM Cap. giving particulars of the life of the late sculptor Joseph Higgins. She wrote ‘the great Irish sculptor died in Youghal in [the] beginning of 1925. I saw him a few days before his death. He died of consumption’. She also refers to Higgins’s son-in-law Seamus Murphy.

A clipping of a report (with photographs) on the opening of an exhibition of the work of the sculptor Clare Sheridan in the Dawson Galleries in Dublin. Fr. Senan Moynihan OFM Cap. attended the opening. The article is taken from ‘The Standard’ (28 May 1948).

An information flier on the Mainie Jellet travelling scholarship fund established to perpetuate the memory of her ‘inspiring work as a teacher and friend of the younger generation of Irish artists’.