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Inscribed on bowl: ‘Corn “Róisín Dubh”’. On reverse of the bowl: Names of winners from 1942-1997.

Photographic print of (fourth from the right) Fr. Aloysius Travers OFM Cap. (1870-1957) on a podium with several other clerics in Father Mathew Hall.

An image of cast members of a pantomime production of 'Cinderella' distributing fruit to the audience following a performance in Father Mathew Hall on Church Street in Dublin in about 1955.

Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.

Letters from Arnold Bax (1883-1953), 155 Fellows Road, London, and Grosvenor Hotel, Chester, to Fr. Michael O’Shea OFM Cap., President, Father Mathew Hall, Cork. In 1929 the Feis Maitiú Corcaigh invited Bax, a well-known composer and poet, to become an adjudicator marking the beginning of a 24-year friendship with the prestigious local music festival. Most of the correspondence relates to arrangements for the Cork Feis and other matters of musical interest. The file includes fifteen original items in Bax’s hand. With contemporary manuscript and later typescript copies of Bax’s letters. The file also includes a typescript appreciation of Arnold Bax possibly written by Fr. O’Shea. It reads ‘The way he [Bax] came to Cork was simple enough. I attribute his coming to the initiative of Frau Fleischmann in the meeting of the Feis Maitiú Committee that was considering adjudicators for the year 1929. I remember at the time that it was mentioned that Bax had rather a Celtic strain in his compositions and the he would like to come’. Also includes a newspaper cutting of a letter from Bax to the 'Daily Telegraph' referring to a performance by a choir at the Catholic Cathedral in Cork. In Irish and English.

A small collection of records relating to the Temperance Hall built on the grounds of the Capuchin Friary, Rochestown, County Cork. The Hall was officially opened for public use on 15 December 1913 by the Lord Mayor of Cork and Fr. Thomas Dowling OSFC (1874-1951), Provincial Minister. It consisted of a concert-platform, an auditorium, and spacious committee rooms which could also be used as classrooms. Despite the decline of the temperance movement, the Hall continued to function as a venue for local drama, music and dancing productions. Fr. Declan McFadden OFM Cap. (1901-1979) later strove to re-organise the management of the building which changed its name to Marian Hall in the early 1950s. Having laid vacant for many years, the former Temperance Hall at Rochestown was finally demolished in the 1990s.

Cutting from the 'Cork Weekly Examiner' referring to the presentation of a framed address to Fr. Sylvester Mulligan OSFC (1875-1950), former President of the Temperance Hall in Rochestown, on the occasion of his departure for Dublin to take charge of Father Mathew Hall on Church Street. The framed address is extant in the Irish Capuchin Archives. The newspaper article reads: ‘The address was the joint work of two members of the Cork School of Art, the illumination being designed and executed by Mr Sam Martin, and the frame designed and carved by Mr Michael Galligan. The article also includes a photographic print of Fr. Sylvester.

Although the Irish Capuchins had a long tradition of involvement with the temperance movement, their connection with this apostolate was reinvigorated in 1905 when the Catholic hierarchy invited the Order to preach a ‘national crusade’ on the merits of total abstinence. The Capuchins’ commitment to sobriety as a moral and social ideal was promoted through the founding of lay sodalities and temperance halls where the pledge to abstain from alcohol was taken. The Father Mathew Memorial Hall on Church Street was opened in 1891. Funded by voluntary subscriptions, this temperance hall was built by Joseph Kelly & Sons of Thomas Street, Dublin. The total cost was about £4,000. It was designed by Walter Glynn Doolin and was initially plainly decorated. Before the addition of extensions in 1904 the main auditorium was 73 feet in length and 39 feet wide. In total, there was accommodation for about 900 people. There was also a coffee bar, a billiard room, and a reading room. The interior of the auditorium was greatly embellished in 1909 when an elaborate proscenium arch, stage and gallery were added. The plasterwork was executed by the firm of John Ryan of Upper Abbey Street to the designs of Anthony Scott of O’Connell Street, Dublin. This series comprises records relating to the Hall’s primary function to promote sobriety ‘by providing instruction and healthful amusement’. It should be noted that the Hall’s drama group, band, debating society and athletics’ club were initially only open to total abstainers. The records also reflect the varied social functions of the Hall.