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A bound volume with a manuscript annotation on the spine which reads ‘Art and Artists’. The volume contains newspaper and magazine clippings, correspondence (particularly re reproductions of paintings), printed ephemera (exhibition catalogues), and photographic content relating to prominent Irish artists, and exhibitions of their work. Many of these artists were associated with Fr. Senan Moynihan OFM Cap. and ‘The Capuchin Annual’. The file also includes colour and black and white reproductions of work by old masters and various continental artists. Includes assorted clippings and some original letters from Jack B. Yeats, and documents re Seán O’Sullivan RHA, Patrick Joseph Tuohy, James Humbert Craig, and the sculptors John Hogan, and Jerome Connor. Also includes some original letters from George Noble Plunkett (1851-1948). With a typescript list of paintings loaned by ‘The Capuchin Annual’ office to the Tuam Art Club exhibition in 1945.

A large bound volume with a manuscript annotation on spine which reads ‘Art and Artists’. The volume contains newspaper and magazine clippings, correspondence (particularly re loans of paintings), printed ephemera (exhibition catalogues), and photographs relating to prominent Irish artists, and exhibitions of their work. Many of these artists were associated with Fr. Senan Moynihan OFM Cap. and ‘The Capuchin Annual’. The volume includes:
• Clippings (obituaries) and photographs relating to the death of Albert Power (1881-1945). The photographs show Éamon de Valera, Fr. Senan Moynihan OFM Cap. and Fr. Gerald McCann OFM Cap. in attendance at Power’s funeral. The clippings include an appreciation by C.P. Curran. (‘Sunday Independent’, 15 July 1945).
• Photographic copies of artwork by various old masters.
• Photographic prints of Mary Redmond (1863-1930). Includes images of her at work on the Father Mathew Statue (O’Connell Street, Dublin). One of these photographs is dated 30 June 1891. Another image shows her memorial bust for RIC District Inspector William Limbrick Martin.
• A clipping of an article by Kathleen O’Brennan, ‘Seán Keating Speaks Out’, ‘The Irish Digest’ (c.1945).
• A flier for the Tuam Art Exhibition, St. Jarlath’s College, County Galway (1-4 April 1945).
• A catalogue of the Evie Hone Exhibition, The Dawson Gallery, Dublin. (Oct.-Nov. 1945).
• A clipping of an article titled ‘Stained glass at An Tur Gloine’, ‘Irish Statesman’ (13 Mar. 1926).
• Typescript list of paintings and artworks loaned from ‘The Capuchin Annual’ office. Includes works by Jack B. Yeats, Seán O’Sullivan, Seán Keating, and Richard King. (1946). With similar lists of artworks (paintings and sketches) loaned to the Tuam Art Exhibition in 1948 and in 1950.
• Clippings with references to the Victor Waddington Galleries on South Anne Street, Dublin (1947) and exhibitions in the Royal Hibernian Academy.
• Includes a letter to Fr. Senan from Sir Shane Leslie re a painting titled ‘The Eviction’ by Lady Butler (Elizabeth Thompson, 1846-1933). 10 May 1947.
• Catalogue for the exhibition of art by Sir Gerald Kelly RHA, Victor Waddington Galleries, Dublin. (11-13 Mar. 1948).
• Catalogue of art by Jacob Epstein, Victor Waddington Galleries, Dublin (Apr. 1948).
• Letters to Fr. Senan from Germaine Stockley and Somhairle Mac Cana (1948)
• Letters to Fr. Senan from Seamus Murphy, sculptor, enclosing a photographic print of his bust of Thomas Davis. (21 Oct. 1942-16 Mar. 1943)
• A letter to Fr. Senan from Máirín Allen (22 Oct. 1948) and a photographic card from Clare Sheridan (Dec. 1949).
• A flier advertising an exhibition by nine painters in the ‘Art in Ulster’ exhibition, Gallery, 55a Donegall Place, Belfast. (19-31 Jan. 1948)
• A catalogue of paintings by Anne Yeats (1948)
• Photographic prints of Fr. Senan and Fr. Gerald at an exhibition of paintings by Max and Gladys MacCabe, Dawson Gallery, Dublin (Sept. 1950).
• A printed flier on John Hogan’s sculpture of the dead Christ in St. Teresa’s Church, Dublin. Text (poem) by ‘Benmore’. (Dec. 1924).

Other artists referred to in the volume (mainly in newspaper clippings and exhibition catalogues) include:
Dermod O’Brien
Nathaniel Hone (1831-1917)
Robert James Enraght-Moony (1879-1946)
Laurence Campbell (1911-2001) Includes images of the sculptural busts of Fr. Senan and Fr. Gerald McCann OFM Cap.
J. Humbert Craig RHA (1877-1944)
Jack Bilbo (1907-1967)
Thomas J. Cullen (1879-1947)
George Frederick Campbell (1917-1979)
Clare Sheridan
Dugald Sutherland MacColl (1859-1948)
Andrew O’Connor (1874-1941), sculptor
Seán Keating
May Power (1903-1993), sculptor
Oisín Kelly (1915-1981)
Fr. Jack Hanlon (1913-1968)
Daniel O’Neill (1920-1974)
Harry Kernoff (1900-1974)
Oliver Sheppard (1865-1941)
Charles Geoghegan (1820-1908), architect
Seán O’Connor (1909-1992)

Off-print of an article by Thomas Mac Greevy (1893-1967) titled ‘Art Criticism and Science’ published in 'Scritti di Storia Dell’Arte in onore di Lionello Venturi' (Rome, 1956).

Author: William Carleton
Publisher: Dublin: James Duffy & Sons, 15 Wellington Quay
Language: English
Full title: 'Art Maguire / or, The broken pledge / a narrative'.

This record is part of the list of all the missions preached by the Passionist Fathers in St. Patricks Province (Ireland and Scotland), from 1927 up until 1965. It is just an electronic list with no physical counterpart. It has been made available to aid research into the Passionists.

This record is part of the list of all the missions preached by the Passionist Fathers in St. Patricks Province (Ireland and Scotland), from 1927 up until 1965. It is just an electronic list with no physical counterpart. It has been made available to aid research into the Passionists.

This series contains a highly significant collection of artefacts such as original pledge cards, temperance society medals, prints, posters, photographs, temperance memorabilia, manuals, church plate, ephemera and other items and relics associated with Fr. Theobald Mathew OSFC and his temperance movement from the 1830s to the 1850s. Many of these items were collected by various Capuchin friars in the late nineteenth and early twentieth centuries with a view to exhibiting them for devotional and historical purposes.