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Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.

A clipping of a photograph of Fr. Gerald McCann with Count Stanislas Ostroróg (1897-1960), French Minister Plenipotentiary to Ireland, inspecting a colour photograph of Pope Pius XII at the Shelbourne Hotel in Dublin. The clipping is taken from the ‘Sunday Independent’ (27 June 1948).

A photographic print of Fr. Senan Moynihan OFM Cap. (third from the left) and Fr. Gerald McCann OFM Cap. (second from the left) at a social gathering. The identifies of the other individuals in the image has not been ascertained.

A photographic print of the funeral of the sculptor Albert Power in Dublin. The mourners include Fr. Senan Moynihan OFM Cap. and Fr. Gerald McCann OFM Cap. The photograph is credited to the 'Irish Press'.

A photographic print of (from left) Angela Christina MacDonnell, Countess of Antrim, Fr. Senan Moynihan OFM Cap., Gladys Maccabe and Fr. Gerald McCann OFM Cap. The photograph was taken at the opening of an exhibition of paintings by Gladys Maccabe and her husband Max Maccabe at the Dawson Gallery in Dublin.

File containing illustrations for 'The Capuchin Annual' by Fr. Gerald McCann OFM Cap. (1910-1958). These humorous black-ink drawings depict aspects of Capuchin Franciscan life and were regularly published in the 'Annual'. Fr. Gerald also served as assistant-editor of the publication. The themes include Christmas festivities, pranks and mischiefs involving Capuchins (some of the friars depicted, including Fr. Senan Moynihan OFM Cap., were known to Fr. Gerald), sports, music, everyday chores and religious rituals.

Metal stereotypes (set on wooden blocks) of illustrations (many by Fr. Gerald McCann OFM Cap. with some by Grace Perry) of Franciscan life published in 'The Capuchin Annual'. The themes include Christmas festivities, pranks and mischiefs involving Capuchins (some of the friars depicted, including Fr. Senan Moynihan OFM Cap., were known to Fr. Gerald), sports, music, everyday chores and religious rituals. Several of the blocks depict more general aspects of religious devotion including representations of saints, the nativity, symbols and crests, missionaries and the clergy. Some of the blocks have annotations on the reverse indicating the theme of the illustration. These include:
• ‘This place is holy’.
• ‘Joy in the struggle’.
• ‘St. Francis of Assisi / the builder’.
• ‘People in love’.
• ‘Building together’.
• ‘Call to praise’.
• ‘Peace and goodness’.
• ‘St. Francis and the Wolf’. The cover illustration of 'The Capuchin Annual' by Seán O’Sullivan RHA.
• Richard King at work on a Station of the Cross in his studio.
Some of these stereotype blocks were found in box marked with an annotation suggesting that they had been returned from ‘Kelly’s Printers’.

A framed photograph of John McCormack (1884-1945), the Irish tenor, dedicated to Fr. Senan Moynihan OFM Cap. and Fr. Gerald McCann OFM Cap. It is signed by his wife, Lily McCormack, and dated 1946.

A clipping of an article advertising the ‘Varnishing Day’ exhibition in the Royal Hibernian Academy in Dublin. The article includes images of Laurence Campbell’s sculptural busts of Fr. Gerald McCann OFM Cap., Bishop William MacNeely, and Fr. Senan Moynihan OFM Cap. The article was published in the ‘Irish Press’ (13 April 1946).