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A clipping of a report on the inquest into the death of Noel Lemass whose remains were found on Featherbed in the Dublin mountains in October 1923. The clipping is taken from the ‘Daily Sketch’ (15 October 1923).

A clipping of an appreciation of the late Erskine Childers by Lily O’Brennan who acted as his personal secretary in 1921. The letter was addressed to the editor of the 'Irish Independent' but the clipping was seemingly taken from the ‘Irish World’ (22 December 1922).

A clipping of a photograph of Archbishop Paschal Robinson OFM, Apostolic Nuncio to Ireland, with Fr. Senan Moynihan OFM Cap. at the Institute of Journalists dinner in Dublin. The clipping is taken from ‘The Advocate’ (17 March 1938) published in Melbourne, Australia. It is noted that Fr. John Moynihan, the editor of ‘The Advocate’, is a brother of Fr. Senan.

A clipping of a memoriam sheet for the republican soldier Liam Lynch who was shot and killed by Free State forces on 10 April 1923. The memoriam includes an extract from Vergil’s ‘Aeneid’.

Postcards showing various views of Cobh (formerly Queenstown) in County Cork. The postcards in the volume are captioned and include 'The Landing Pier and Crescent', 'Pearse Square', and the 'Esplanade and States Hotel'.

Postcard prints of interior arrangements and altars for Catholic worship onboard several White Star Line ships including the ‘Majestic’, ‘Megantic’, ‘Olympic’, ‘Homeric’, and ‘Calgaric’.

A set of colourized Egyptian-themed postcard prints. The caption titles include ‘Bedouin’, ‘The Pyramids of Gizeh’ and ‘Eventide in Desert’.

A photographic print of the Marian Grotto at the Capuchin Friary in Rochestown, County Cork.

An image of Irish Army armoured cars on manoeuvres in the countryside. The vehicles are most likely Swedish-built Landsverk armoured cars. The print is credited to the ‘Irish Press’.

Photographic prints of an Irish military tattoo at the Royal Dublin Society (RDS) arena in Dublin. The tattoo (essentially a pageant or display involving armed forces) was organised to raise funds for the Army Benevolent fund and to mark the contribution of the Irish Defence Forces (‘Óglaigh na hÉireann’) to the state during the wartime Emergency (1939-45). The reference to ‘Eoghan Ruadh Ó Néill’s Army’ in the caption refers to the centrepiece of the tattoo, a recreation of O’Neill’s famous victory at the Battle of Benburb (5 June 1646) during the Irish Confederate Wars.