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The file comprises ‘The Imperial Dry Plate Co., Ltd., Cricklewood, London’ box. The box contains three plates. One of the plates shows an image of a seventeenth century map of the town of Charleville (now Charleville-Mézières) in the Ardennes Department in Northern France. The map shows the location of the church and friary established by the exiled Irish Capuchins in Charleville in the early seventeenth century. The map is titled ‘Charleville sur le Bord de la Meuze dans la Principaute Souuerain Darches’. The map has been attributed to Edmé Moreau (1596-1648). The file also includes topographic views of the walled cities of Sedan and Tovl. A faint ink stamp of the British Museum is visible on the Sedan view. Includes a cover letter from Alan Macbeth, photographers, affirming that the prints were sourced from the ‘Zeillers Topographie Gallae’ collection in the British Museum. The letter is dated 2 January 1920.

A file containing ‘Criterion Plates Ltd., Stechford, Birmingham’ box. The box holds four plates. The annotation on the box reads ‘Negatives of letters of Fr. Robert O’Connell OSFC in the Fr. Luke Wadding OFM [1588-1657] collection'. The annotation was made by Fr. Stanislaus Kavanagh OFM Cap. in May 1922. The plates are labelled a-d.

A file containing ‘Wellington Plates’ box. The box holds four plates showing details from a pictorial map of Galway (c.1651). Two known copies of the original seventeenth century map exist, one in Trinity College Library in Dublin, and the second in the James Hardiman Library in NUI Galway.

The numbered map details include references to the following:

H. This is described on the map as the ‘Residentia Capuchinorum’. It represents a block of buildings on the north side of Great Gate Street in an area now known as Williamsgate Street. It sits under one of the Great Gates of the city (marked as ‘30’). It is most likely the location of the rented house occupied by the Capuchins in 1644 when they left the Collegiate buildings of St. Nicholas.

F. This indicates the altar erected by the Capuchins for public processions along the main thoroughfare running through Galway. The altar was situated at a place now popularly referred to as the ‘The Four Corners’, at one of which is the well-known fourteenth century stone townhouse called Lynch’s Castle (marked as ‘S’).

Number '8' on the map is a reference to a church, a block of buildings and an ornamental garden with walks. It is referred to on the map as ‘Capuchinorum Aedes’. It is situated outside the city walls and stands on the north side of Bohermore – now known as Prospect Hill. It is located near the old Pigeon House (marked as ‘42’). This is most likely the church and friary built by the Capuchins when they vacated their rented house in 1644. The site of this church is now occupied by The Western Hotel.

Photographic print of a residential house. Manuscript annotation on the reverse reads ‘1913’. The location may possibly relate the area around Cullenswood House on Oakley Road in Dublin.

Studio portrait photograph of Margaret Pearse. Includes original print on card and possibly a later enlargement of the same image.

Copy letter from James Pearse to Charles Bradlaugh. The letter reads ‘I am placed in a very paradoxical position – an image maker by profession and an image breaker by inclination’. He adds ‘I have been dangling – to use a scriptural phrase – between Hell and Heaven for the last twenty five years of my life: only that I reverse the meaning of the words: - everything appertaining to ecclesiasticism I regard as the former; and to be free of which, I regard as the latter’.

Five cartes de visite of sculptural monuments related to the workshop of James Pearse, 27 Great Brunswick Street, Dublin. Some of cards are annotated by James Pearse. Two of the images are described as the ‘Pulpit / Inchicore / Rough model’. One of the cards is annotated on the reverse ‘Pearse & [Edward Sharpe, sculptors]’. One of the cards is credited to the studio of William Lawrence, photographer, 5 & 7 O’Connell Street, Dublin. The decoration of the altar and communion rail in the Church of Mary Immaculate on Tyrconnell Road in Inchicore, Dublin, was crafted by James Pearse. This prominent church was built for the Missionary Oblates of Mary Immaculate between 1875 and 1880.

A hardbound volume containing copies of the ‘Daily Mirror’ (11 May 1916-17 May 1916). Gilt title to spine reads ‘Roger Casement / 1916’. The editions include numerous articles and photographic content covering the aftermath of the Easter Rising (including the executions of the rebel leaders) and the ongoing Great War. There is also extensive coverage and photographic images relating to the capture and trial of Roger Casement.

A copy of ‘The Life of Sir Roger Casement Knt., C.M.G.’ by Robert McGahan (1863-1942). Published by the ‘Northern Constitution’ in Coleraine.

Letters to Fr. Senan Moynihan OFM Cap. from Gertrude Parry, Rockport, Cushendun, County Antrim, re the life of her cousin Roger Casement. She thanks Moynihan for sending copies of the ‘beautiful and artistic Capuchin Annual’. She adds ‘I was so glad to read the articles about my beloved cousin, Roger Casement. There are two slight errors. His birthday was Sept. 1st not 15th Sept. and his eyes were grey not brown, real Irish eyes’. The other letter (dated 16 October) provides a long biographical account of Casement’s life and career (23 pp). An extract of the text reads: ‘He [Casement] left Ireland in 1914 (June) to collect funds in America for the arming of the Volunteers. Whilst he was there the war broke out. This put a stop to his activities over the Volunteers and he then turned his thoughts to trying to keep Ireland out of the war. He realised that the quarrel with Germany did not concern Ireland and in joining in it, she would only be sacrificing the flower of her young men to fight England’s cause’. The file includes a cover annotated by Fr. Senan. It reads ‘Notes on Roger Casement by Mrs Parry’.