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Metal stereotypes (set on wooden blocks) of illustrations of landscapes, buildings and transport such as boats, automobiles and trains. The blocks lack any identifying captions, but some are numbered and dated (1940-1) by John English & Co., printers. It is likely that some of the blocks were purchased from an engraving and printing company whilst others were specifically commissioned for publication in 'The Capuchin Annual'. The file includes:
• A small block depicting the O’Connell Monument, Dublin.
• Block depicting an illustration of a Dublin tenement by Seán MacManus.
• Illustrations by Peter F. Anson (1889-1975).
• A painting of County Donegal by Frank McKelvey RHA (1895-1974).
Several of the metal stereotypes are detached from the wooden backing.

Photographic print (on card) of Margaret Pearse, her daughter Margaret Mary Pearse, and other individuals on the steps of St. Enda’s School in Rathfarnham, Dublin.

A flier advertising a lecture by Constance Markievicz in San Francisco in the United States in May 1922. The flier provides a biographical account of her life and political career up to that point. She left government in protest over the adoption of the Anglo-Irish Treaty and was a vociferous opponent of the agreement in the ensuing the Civil War. She travelled to the United States in early 1922 as a republican delegate and her lecture tour in the country (she visited Boston, San Francisco, Chicago, and Philadelphia) aroused considerable interest. Her tour also reputedly raised $50,000 to support the republican cause.

Copy letter from James Pearse to Charles Bradlaugh. The letter reads ‘I have written a letter to the “Agnostic Journal” upon [the] same subject (agnosticism and atheism) principally because my name was mentioned therein’.

Letter to James Pearse from George St. Clair, 127 Bristol Road, Edgbaston, Birmingham, expressing his thanks for sending the ‘small volume by “Humanitas”’.

Letters to James Pearse from W.J. Ramsey, Manager, the Progressive Publishing Company, 28 Stonecutter Street, London. The letter of 25 November 1884 encloses a clipping of an advertisement for ‘Socialism a curse / a reply to a Lecture delivered by Edward B. Aveling’ and ‘Is God the First Cause?’ (1883) by ‘Humanitas’ (James Pearse).

Photographic prints annotated on the reverse: ‘J. Pearse / Queen’s Robing Room / House of Lords’. The images appear to show some of the statues of the twenty-six princesses extant in the Queen’s robing room in the House of Lords, London. Pearse made carvings of princesses and robes and crowns for the ‘throne room’ (or the ‘Queen’s robing room’) in the House of Lords in the Palace of Westminster.

Copy photographic prints of Roger Casement, with William Gibson, 2nd Baron Ashbourne, and Alice Stopford Green. The photograph was possibly taken at Ardglass in County Down in c.1913.

Two copies of the ‘Speech of Roger Casement from the dock / Executed in Pentonville Prison, August 3rd, 1916.’ (Dublin: published by Fergus O’Connor, 1916).

Copy letter from Roger Casement, Pentonville Prison, to Fr. E.F. Murnane dated 16 July 1916. With a copy extract from a letter from Fr. Murnane, Presbytery, Dockhead, [Bermondsey, London, S.E.], to George Gavan Duffy (Aug. 1917). The extract reads ‘He [Casement] faced death like a gallant Irish gentleman with the added courage and confidence of a good catholic. He talked freely of his death and was looking forward to his confession …’. The copy file concludes with a copy extract from a letter from Fr. James Carey, prison chaplain, giving a brief account of Casement’s piety before his execution.