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Photographic print of the novitiate building situated adjacent to the Capuchin Friary, Kilkenny. Three (unidentified) friars are seen in the photograph.

Photographic prints of the Capuchin Friary, Kilkenny. Two of the prints show the rear of the Friary building. The remaining print is of the altar (from an elevated position) during Mass. The celebrant is Fr. Timothy Connery OFM Cap.

A view of the high altar of the Church of St. Francis (taken from an elevated position) during Mass. The celebrant is Fr. Timothy Connery OFM Cap.

Inscribed on bowl: ‘Corn “Róisín Dubh”’. On reverse of the bowl: Names of winners from 1942-1997.

Photographic print of (fourth from the right) Fr. Aloysius Travers OFM Cap. (1870-1957) on a podium with several other clerics in Father Mathew Hall.

An image of cast members of a pantomime production of 'Cinderella' distributing fruit to the audience following a performance in Father Mathew Hall on Church Street in Dublin in about 1955.

Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.

Letters from Arnold Bax (1883-1953), 155 Fellows Road, London, and Grosvenor Hotel, Chester, to Fr. Michael O’Shea OFM Cap., President, Father Mathew Hall, Cork. In 1929 the Feis Maitiú Corcaigh invited Bax, a well-known composer and poet, to become an adjudicator marking the beginning of a 24-year friendship with the prestigious local music festival. Most of the correspondence relates to arrangements for the Cork Feis and other matters of musical interest. The file includes fifteen original items in Bax’s hand. With contemporary manuscript and later typescript copies of Bax’s letters. The file also includes a typescript appreciation of Arnold Bax possibly written by Fr. O’Shea. It reads ‘The way he [Bax] came to Cork was simple enough. I attribute his coming to the initiative of Frau Fleischmann in the meeting of the Feis Maitiú Committee that was considering adjudicators for the year 1929. I remember at the time that it was mentioned that Bax had rather a Celtic strain in his compositions and the he would like to come’. Also includes a newspaper cutting of a letter from Bax to the 'Daily Telegraph' referring to a performance by a choir at the Catholic Cathedral in Cork. In Irish and English.