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An image of cast members of a pantomime production of 'Cinderella' distributing fruit to the audience following a performance in Father Mathew Hall on Church Street in Dublin in about 1955.

Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.

Photographic print of (fourth from the right) Fr. Aloysius Travers OFM Cap. (1870-1957) on a podium with several other clerics in Father Mathew Hall.

A small collection of records relating to the Temperance Hall built on the grounds of the Capuchin Friary, Rochestown, County Cork. The Hall was officially opened for public use on 15 December 1913 by the Lord Mayor of Cork and Fr. Thomas Dowling OSFC (1874-1951), Provincial Minister. It consisted of a concert-platform, an auditorium, and spacious committee rooms which could also be used as classrooms. Despite the decline of the temperance movement, the Hall continued to function as a venue for local drama, music and dancing productions. Fr. Declan McFadden OFM Cap. (1901-1979) later strove to re-organise the management of the building which changed its name to Marian Hall in the early 1950s. Having laid vacant for many years, the former Temperance Hall at Rochestown was finally demolished in the 1990s.

Cutting from the 'Cork Weekly Examiner' referring to the presentation of a framed address to Fr. Sylvester Mulligan OSFC (1875-1950), former President of the Temperance Hall in Rochestown, on the occasion of his departure for Dublin to take charge of Father Mathew Hall on Church Street. The framed address is extant in the Irish Capuchin Archives. The newspaper article reads: ‘The address was the joint work of two members of the Cork School of Art, the illumination being designed and executed by Mr Sam Martin, and the frame designed and carved by Mr Michael Galligan. The article also includes a photographic print of Fr. Sylvester.

Inscribed on bowl: ‘Corn “Róisín Dubh”’. On reverse of the bowl: Names of winners from 1942-1997.

An image of Holy Trinity Church and the adjoining Capuchin Friary before the completion of the spire and gothic portico in 1890.

Prints of Charlotte House at the corner of Queen Street and Charlotte Quay (now known as Father Mathew Street and Father Mathew Quay) in Cork. The building is five storeys in height. The gable end is topped with a cross. The building was located on a site on the south-east corner of Queen Street. Fr. Cherubini Mazzini OSFC converted this house into a residence for the friars and Charlotte House, as it was known, remained in use until 1884 when the Capuchins took up residence in the present-day Holy Trinity Friary built by Fr. Simeon Gaudillot OSFC (1836-1910). The print may have been taken from a volume.

Photograph of the interior and High Altar of Holy Trinity Church in Cork.
Photographer/Studio: [Lawrence Studio, Dublin].
An ink stamp on the reverse: ‘Go mBeannuig Dia Dhuit, Nodlag 1917’. Printed title on front reads 'Interior, Father Matthew's [sic] Church, Cork'.