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Parte de Irish Capuchin Archives
A view of Clanbrassil Street, Dundalk, in about 1945. The modern town of Dundalk largely owes its form to James Hamilton, 1st Earl of Clanbrassil (c.1618-1659) who commissioned the construction of many of the main streets leading to the town centre.
Aerial view of Waterford City and Redmond Bridge
Parte de Irish Capuchin Archives
An aerial view of Waterford city showing Redmond Bridge in c.1940.
Parte de Irish Capuchin Archives
An image titled ‘Inishmaan Pupils’. The print is slightly blurred but the date (25 May 1937) is visible on the teacher’s blackboard. Inishmaan (Inis Meáin) is the middle of the three main Aran Islands located off Galway on Ireland’s Atlantic Coast.
Parte de Irish Capuchin Archives
A postcard print of the beach at Rossbeigh in County Kerry.
Harvesting, Dromara, County Down
Parte de Irish Capuchin Archives
A harvest scene near the small village of Dromara in County Down in c.1935.
Parte de Irish Capuchin Archives
A busy scene at a bus stop in Shandon, Cork, in about 1945. Shandon is a district on the north-side of Cork city.
Parte de Irish Capuchin Archives
A view of a truck and trailer at the entrance to Broadstone Station in Dublin in about 1935. An annotation on the reverse reads ‘A Chenard-Walcker tractor / trailer in the early 1930s / a forerunner of today’s juggernauts’.
The Grave of Michael Collins in Glasnevin Cemetery
Parte de Irish Capuchin Archives
The Grave of Michael Collins in Glasnevin Cemetery, Dublin. From ‘Forty pages of Dublin Pictures by T. J. Molloy’, 'The Capuchin Annual' (1938), pp 167-201.
The Old Capuchin Chapel, Church Street, Dublin
Parte de Irish Capuchin Archives
Photographic print of the old Capuchin Chapel, Church Street, Dublin, built in 1796. The photographic print dates to c.1865.
Illustrations of Children’s Stories, Mythology and Fables
Parte de Irish Capuchin Archives
Metal stereotypes (set on wooden blocks) of illustrations for children’s stories for publication in 'The Capuchin Annual' and in 'The Father Mathew Record'. The blocks lack any identifying captions, but some are numbered. Many of the blocks appear to be illustrations for children’s fairy tales, Celtic mythology, Christmas stories, animal fables or stories with a religious significance.