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A studio photograph of Br. Stanislaus Walsh OSFC (1842-1910). See also CA-PH-1-40.

A studio portrait of Fr. Matthew O'Connor OSFC (1859-1930).

Studio photograph of Fr. Alphonsus Carroll OSFC (1874-1934). With an annotated cover.

An unidentified family group (six standing and five sitting or kneeling). This is an informal outdoor portrait of a family group probably taken in the first decade of the twentieth century.

Fr. Salvator Maria Corrigan OFM Cap. (1835-1919) standing outside the main door to the Church Street Capuchin Friary in Dublin. The annotation on the cover suggests that this is a poor quality image with the subject blurred and a transparent ‘ghost image’ of another friar captured on the original glass plate.

A large group of both men and women (both sitting and standing) outside the main door to St. Mary of the Angels, Church Street, Dublin. Some of the men in the back row appear to be wearing temperance badges. They are probably part of a lay temperance association attached to the church.

An image of Fr. Sebastian O’Brien OFM Cap. (1867-1931) sitting in the garden of the Church Street Friary. With an annotated cover.

A large collection of metal printing blocks (stereotypes) prepared for illustrative purposes and publication in 'The Capuchin Annual'. It is likely that some of the blocks were purchased from an engraving and printing company whilst many others were specifically commissioned for 'The Capuchin Annual'.

Metal stereotypes (set on wooden blocks) of illustrations of landscapes, buildings and transport such as boats, automobiles and trains. The blocks lack any identifying captions, but some are numbered and dated (1940-1) by John English & Co., printers. It is likely that some of the blocks were purchased from an engraving and printing company whilst others were specifically commissioned for publication in 'The Capuchin Annual'. The file includes:
• A small block depicting the O’Connell Monument, Dublin.
• Block depicting an illustration of a Dublin tenement by Seán MacManus.
• Illustrations by Peter F. Anson (1889-1975).
• A painting of County Donegal by Frank McKelvey RHA (1895-1974).
Several of the metal stereotypes are detached from the wooden backing.

A letter from Tadhg Ó Donnchadha (1874-1949), University College Cork, to Fr. Senan Moynihan OFM Cap.