Metal stereotypes (set on wooden blocks) of illustrations (many by Fr. Gerald McCann OFM Cap. with some by Grace Perry) of Franciscan life published in 'The Capuchin Annual'. The themes include Christmas festivities, pranks and mischiefs involving Capuchins (some of the friars depicted, including Fr. Senan Moynihan OFM Cap., were known to Fr. Gerald), sports, music, everyday chores and religious rituals. Several of the blocks depict more general aspects of religious devotion including representations of saints, the nativity, symbols and crests, missionaries and the clergy. Some of the blocks have annotations on the reverse indicating the theme of the illustration. These include: • ‘This place is holy’. • ‘Joy in the struggle’. • ‘St. Francis of Assisi / the builder’. • ‘People in love’. • ‘Building together’. • ‘Call to praise’. • ‘Peace and goodness’. • ‘St. Francis and the Wolf’. The cover illustration of 'The Capuchin Annual' by Seán O’Sullivan RHA. • Richard King at work on a Station of the Cross in his studio. Some of these stereotype blocks were found in box marked with an annotation suggesting that they had been returned from ‘Kelly’s Printers’.
A transcript of ‘An elegy to the memory of my much beloved and lamented friend Mr William Woodlock (born 1741; died 1825) of the town of Roscrea’. The second page of the transcript has family history notes by William Woodlock (1832-1890), including a partial family tree which indicates that William Woodlock (1741-1825) was his great-grandfather. An additional entry notes that William Paul Woodlock (c.1780-1834) left Roscrea in 1798.
Letter from Francis William Doyle Jones, sculptor, 2 Wentworth Studios, Manresa Road, Chelsea, London, to a Mr. Gallagher, returning the books and photographs which he had sent him. Doyle Jones completed a memorial statue of Canon Sheehan in Doneraile in 1925.
A photographic print of Aodh de Blacam. A manuscript note attached reads 'Please substitute enclosed snapshot in any future hue-and-cry for Aodh de Blacam as it is 25 years later and tactfully conceals absence of thatch'.
