The file comprises an incomplete of run of this weekly publication published in Dublin. With numerous single sheets or clippings from selected editions.
The file comprises the following editions: An t-Óglác the official organ of the Irish Volunteers: 15 Mar. 1921 (vol. III, no. 1)-15 Apr. 1921 (Vol. III, no. 4); 1 May 1921 (Vol. III, no. 6)-10 June 1921 (Vol. III, no. 12); 24 June 1921 (Vol. III, no. 14); 2 Dec. 1921 (vol. III, no. 37) – 9 Dec. 1921 (vol. III, no. 38); An t-Óglác, the official organ of the army 20 Jan. 1923 (vol. iv, no. 32, new series) – 27 Jan. 1923 (vol., iv, no. 33 new series) An t-Óglác, the army journal 29 May 1926 (vol. iv, no. 20). The concluding edition in the file contains an article titled ‘Four courts and North King St. Area in 1916’ by John J. Reynolds, referring to the activities of Capuchin priests from Church Street during the 1916 Rising. (pp 3-4).
Handbill-style copies of the 'Freeman’s Journal' and 'Evening Telegraph', 1-10 Apr. 1922. Following an attack by armed Irregular republicans, these pro-Treaty publications appeared as cyclostyled typescript handbills which were pasted on walls all over Dublin city. The papers mainly contained editorials referring to the attack on the newspaper premises, expressed defiance of those responsible for the assault, and assertions that the papers would appear in some form or other. Reference was also made to the need to fight ‘tyranny in whatever garb it appears’. It was reported that republicans later went about the city tearing down the editorials wherever they were posted.
The file contains volume 6, 20 Oct. 1921 (No. 1)-12 Dec. 1921 (No. 38), of the 'Irish Bulletin'. The series is complete up to issue no. 38 with multiple copies of some editions.
The file comprises the following: an undated first edition of 'Freedom' containing an ‘extract from a letter from Rory O’Connor’ regarding the attack on the Free Courts; 17 Sept. 1922 (no edition number) with a portrait of Lawrence Ginnell by Constance Markievicz; 24 Sept. 1922 (No. 7) with a drawing of the ‘the branded arm of James O’Reilly sketched from life’ by Constance Markievicz; 22 Oct. 1922 (No. 11), 3 copies; Dec. 1922.
Celtic Cross label. Ringed cross with shamrock leaves; in the four ‘corners’ and inscriptions of ‘Éire’ and ‘Sinn Féin’ (twice) on cross. The difference between the two years being only colour. Commissioned by Arthur Griffith and designed by Lily Williams this stamp depicted the Cross of Cong with ‘ÉIRE’ at centre. Sinn Féin members paid a halfpenny each for the stamps and affixed them to letters as a propaganda move. The 1908 Post Office Act outlawed their use after protests by MPs in the House of Commons. They were continued however up to 1916 and beyond. The Cross of Cong design was adopted by the Irish Free State for some values of Irish definitive postage stamps- 3d, 10d and 11d - which were in use up to 1968. Hibernia and Wolfhound Label. Hibernia (Erin) with harp, with arms of the four provinces of Ireland (at corners) and wolfhound; inscriptions ‘Éire’ (top panel) and ‘Sinn Féin’ (left and right panels). The labels were printed by James Walker & Co. Ltd., Dublin in 1908, and again in 1916. The 1916 version was re-drawn and thus differs from the 1908 version.
Circular letter from Seosamh Mac Donnchadha (Joseph MacDonagh), Minister for Labour, Dáil Ėireann, to the Superiors of all Religious Houses in Ireland, enclosing a copy statement, written by a Belfast priest, detailing ‘the Orange atrocities committed on Catholic workers and others last July and August’. MacDonagh asks the Religious Superiors to use ‘their wide influence to assist in the rigid enforcement and maintenance of the Belfast Trade Boycott’. MacDonagh was elected unopposed as a Sinn Féin MP for the Tipperary North constituency at the 1918 general election. He was Director of the ‘Belfast Boycott’, an attempt in 1920–21 to boycott goods from Ulster that were being imported into the south of Ireland. With a printed flier titled ‘Black list, Belfast Economic Boycott’ listing the principal firms acting as distributors for ‘Belfast goods’ in Dublin and in other parts of Ireland.
A collection of street ballad leaflets assembled by Fr. Stanislaus Kavanagh OFM Cap. (1876-1965), a Capuchin friar, in 1921. The handbills relate to events in the War of Independence from 1919-21. This contentious period produced its share of controversial literature mainly in the form of leaflets, handbills, ballads and other forms of popular street literature. The treatment of prisoners during the War of Independence was the subject of political and social outrage and was reflected in popular ballads celebrating the lives of Kevin Barry, Patrick Moran, Thomas Traynor and other republican prisoners executed in Mountjoy Jail in Dublin and in other locations following courts martial from 1920-1. Most of the ballads recounted popular stories told in simple metre, and set to (mostly) traditional airs. The ballad titles include: 'Kevin Barry' 'The Bould Black & Tan' 'God Save the Peelers' 'Commandant McKeown' 'My Little Grey Home in Mountjoy' 'Thomas Traynor / Died for Ireland / Mountjoy Prison / April 26 '21' 'Brave sons of Granuaile' 'The Standard of Green, White & Gold / A Song of Truce' 'Latest Hit / If you're Irish We're goin' to Suppress you'
'The United Irishman' was an Irish nationalist newspaper co-founded by Arthur Griffith and William Rooney. The first publication was issued on 4 Mar. 1899 it ran until 1906. It was sub-titled ‘A National Weekly Review’. The file contains the issue of 23 Apr. 1904 (Vol. 11 No. 269). This edition published copy correspondence from the Capuchin Friary in Cork relating to the ‘Vindication of Monsignor Persico’ (pp 2-3).
