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Photographic prints submitted for publication in 'The Capuchin Annual'. The file includes prints of Irish cities and towns. Many of the prints are annotated on the reverse. The file includes the following images:
• Port of Cork.
• St. Patrick’s Street, Cork.
• Grand Parade, Cork.
• South Mall, Cork.
• O’Connell Street, Dublin.
• Father Mathew Bridge, Dublin.
• River Barrow, Crom-a-Boo Bridge and White’s Castle, Athy, County Kildare.
• Cromwell’s Arch, Youghal, County Cork.
• Galway City Docks.
• Cork City docks.
• The Lord Mayor of Cork ‘throwing the dart’ to define the boundaries and jurisdiction of Cork Harbour.
• Royal Dublin Society, Ballsbridge, Dublin.
• St. Patrick’s Cathedral, Armagh.
• Penrose Quay, Cork.
• View of Clonmel, County Tipperary, from Convent Bridge with St. Mary’s Church in the foreground.
• Four Courts, Dublin.
• Cavendish Row and Parnell Street, Dublin.
• Leinster Market, Dublin.
• Shandon Tower, Cork City.
• City Hall, Cork.
• St. Patrick’s Hill, Cork.
• Gurranabraher, Cork.
• Entrance to the Ford vehicle plant, Cork.
• The Loopline Bridge, Dublin.
• Main Street, Clifden, County Galway.
• Holycross Cottages, Holycross, County Tipperary.
• Merrion Square East, Dublin.
• The Ha’penny Bridge, Dublin.
• Riverfront, Wexford.
• Boyne Viaduct, Drogheda, County Louth.
• Kilkenny City.
• The ship Innisfallen at Penrose Quay, Cork.
• Falls Road, Belfast.
• Ballina, County Mayo.
• Athlone, County Westmeath.
• Derry City, County Londonderry.
• Sarsfield Bridge over the River Shannon, Limerick City.
• The Band Hollow, Phoenix Park, Dublin.
• Cavendish Row, Dublin.
• Haulbowline, Cork Harbour.
• Shop front, MacCurtain Street, Cork.
• St. Stephen’s Green, Dublin.
• Dalkey Island viewed from Killiney Hill, County Dublin.
• Dun Laoghaire Harbour.
• Two religious sisters in the Phoenix Park, Dublin.
• School on Cove Street, Cork.
• Mill and malting buildings, Prospect Row, Cork.
• Cobh, County Cork.
• Dún Laoghaire harbour, County Dublin.
• The Custom House, Dublin.
• The Mills at Dublin Port.
• Victoria Quay, Dublin.
• Sunday's Well, Cork.
• National Monument, Grand Parade, Cork.
• Cork Marina and the River Lee as seen from Montenotte.
• Fishing on the banks of the River Liffey, near Chapelizod, Dublin.
• The Gresham Hotel, O’Connell Street, Dublin.
• Changing of army guards at Leinster House, Dublin

The poem reads:
‘Thy favours still, O Lord bestow;
Through Mary’s hands may grace still flow;
Give me the Cross or pain or woe,
But give to Eire Liberty’.

A leather bandolier reputed to have been used by an Irish Volunteer during the 1916 Rising. Retrieved from the gallery of St. Mary of the Angels, Church Street, Dublin. The bandolier has five pouches for the storage of ammunition.

An Anti-Treaty handbill (black typescript on buff coloured paper), urging Free State soldiers to lay down their arms. It reads: ‘Ireland has one enemy, the infamous English enemy. She has tricked you, kindly, simple lads, as she tricked Irishmen all through the ages of war against her. … The Irish Republic is not dead. A hundred thousand armed men are in Ireland to-day ready to give their lives that it may live. You are killing them as the R.I.C. tried to kill you’.

Handbill with portraits and verse acclaiming Cathal Brugha (1874-1922) and Harry Boland (1877-1922). Published in Dublin.

Letter dated 13 Nov. 1922, signed Proinnsias Ó Gallchobhair (Frank Gallagher), and addressed to the Most Rev. Edward Joseph Byrne, Archbishop of Dublin (1872-1940). The letter refers to the treatment of Republican prisoners. Published in Glasgow and printed by Kirkwood & Co.

The file comprises the following editions:
An t-Óglác the official organ of the Irish Volunteers:
15 Mar. 1921 (vol. III, no. 1)-15 Apr. 1921 (Vol. III, no. 4);
1 May 1921 (Vol. III, no. 6)-10 June 1921 (Vol. III, no. 12);
24 June 1921 (Vol. III, no. 14);
2 Dec. 1921 (vol. III, no. 37) – 9 Dec. 1921 (vol. III, no. 38);
An t-Óglác, the official organ of the army
20 Jan. 1923 (vol. iv, no. 32, new series) – 27 Jan. 1923 (vol., iv, no. 33 new series)
An t-Óglác, the army journal
29 May 1926 (vol. iv, no. 20).
The concluding edition in the file contains an article titled ‘Four courts and North King St. Area in 1916’ by John J. Reynolds, referring to the activities of Capuchin priests from Church Street during the 1916 Rising. (pp 3-4).

The file comprises the following: an undated first edition of 'Freedom' containing an ‘extract from a letter from Rory O’Connor’ regarding the attack on the Free Courts; 17 Sept. 1922 (no edition number) with a portrait of Lawrence Ginnell by Constance Markievicz; 24 Sept. 1922 (No. 7) with a drawing of the ‘the branded arm of James O’Reilly sketched from life’ by Constance Markievicz; 22 Oct. 1922 (No. 11), 3 copies; Dec. 1922.

The Scottish edition of this weekly Anti-Treaty newspaper. The file comprises the following editions: 30 Sept. 1922-6 Jan. 1923.

Cartoons attributed to Constance de Markievicz (1868-1927).
• A figure of Hibernia with arms behind her back and chained. Michael Collins (1890-1922), holds a gun to her head. Behind Michael Collins are a bishop and William Thomas Cosgrave, (1880-1965). In front of Hibernia and carrying a piece of paper with the words ‘Propaganda D.F.’, is Desmond Fitzgerald, (1889-1947). The caption reads: Carey Collins - Go down on your b------ knees without any more d-----d fuss swear allegiance to King George and his heirs. : Faker Fitzgerald - Don't listen to Devalera [sic]. I could tell you a lot about great great grandmother and Spanish gold. : The Bishop - Take any other oath that will get you out of your difficulties. : Comic Cosgrave - It was an awful joke talking about freedom, you know.
• The branded arm of James O’Reilly Sketched from life by C de M. View of an arm with the sleeve rolled up to expose branded marks. According to the printed statement on the accompanying page, Stephen Gorman aka James O’Reilly of Ballyblia, Ardee, County Louth, was arrested on 11 September 1922 while travelling on a weekend visit to Drogheda. He was arrested on suspicion that he had taken part in a republican demonstration in Ardee. He was then branded.
Notes: Title printed. Watermarks visible.
Physical description: 1 stencil print: roneo; 32.6 x 19.3 cm. (2 copies).