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• Photographic print (on card) of a portrait of Fr. Theobald Mathew OSFC. The print is by William Lawrence, portrait painter and photographer, Dublin. 16.5 cm x 10.5 cm. 2 copies.
• Photographic print (on card) of the Father Mathew statue in the workshop of Mary Redmond (1863-1930) before its installation on Sackville (O’Connell) Street, Dublin, in 1893. 16.5 cm x 12 cm. (See image above).
• Copy engraving of Fr. Theobald Mathew OSFC. 25 cm x 17 cm. Printed.
• Photographic print of the plaque on Cove Street, Cork, commemorating Fr. Mathew’s residence in a house (No. 8) on that street. The plaque was erected by Cork Corporation in 1980. 15 cm x 10 cm. Colour print.
• Cutting of a cartoon titled ‘The cause of the high death-rate / The Working-man’s Sunday’ showing ‘as it was spent before the Sunday Closing Act’ and ‘as it is spent now in unwholesome quarters of the city – as the working-man must get his beer’. [c.1890]. 1 p.
• Photographic print of the Father Mathew statue on O’Connell Street, Dublin, in c.1955. Ink stamp on reverse reads ‘Irish Tourist Board Photo’. 25.5 cm x 17.8 cm.
• Copy print (on card) of Fr. Theobald Mathew OSFC. 25.5 cm x 20 cm.

Two plates showing a group of four Capuchin friars in the garden of Holy Trinity Friary, Cork. The cover indicates that the friars are (from left) Fr. Stanislaus Kavanagh OFM Cap. (1876-1965), Fr. John Butler OFM Cap. (1873-1950), Fr. Bernadine Harvey OFM Cap. (1874-1953) and Fr. Joseph Fenlon OFM Cap. (1875-1963).

Two plates showing the small railway station at Rochestown in County Cork. Seven individuals are visible in the image including the station master and a woman nursing a young child. With an annotated cover.

Two plates showing exterior views of Holy Trinity (Father Mathew Memorial) Church in Cork. One of the plates is by Mayne, Lord Edward Street, Dublin.

A file containing ‘Lastre a gelatine bromuro d’argento … di Cappelli, Milano’ box containing four large plate reproductions of an original manuscript. The box cover gives two dates of 1906 and 1911 (probably company awards). A faint manuscript annotation on the box reads: ‘Catalogo Campione’. The manuscript is titled on the first plate: ‘De haeresis Anglicanae in Iberniam intrusione et progressu, et de Bell Catholico ad annum 1641 caepto, exindeque per aliquot gesto, Commentarius’. The plates are images of the original copy of the ‘Commentarius Rinuccinanus’ held in the Archivio Storico Milano. The original text was destroyed in a bombing raid on Milan during the Second World War.

Flier advertising plays to be performed by pupils of Scoil Éanna (St. Enda’s School), Cullenswood House, Oakley Road, on 5-7 February 1910. The plays to be performed were ‘The Destruction of the Hostel’ by Padraic Colum and ‘Iosagán’ by Patrick Pearse. Includes lists of performers in each of the plays and contextual notes on the plays.

Minute book and attendance record book of the Dublin Battalions of the Irish Volunteers. Includes attendance records from January 1916 to April 1916. A three-page minute record from 22 February 1916 to 15 April 1916 appears to be in the hand of Patrick Pearse. This record includes references to ‘street fighting’, ‘protection on march’, and later ‘mobilization’. An entry on 18 March 1916 refers to ‘problems set re outposts protection [at] D[ublin] Castle’. Includes numerous signatures of Irish Volunteers in attendance at various battalion meetings in the first four months of 1916. Signatures include those of Thomas MacDonagh, Seán Heuston, Frank Shouldice, Frank Daly, Richard McKee, Thomas Slater, Piaras Béaslaí, Oscar Traynor, Thomas Hunter, Éamon de Valera, The O’Reilly (Ua Rathghaille), W. T. Cosgrave and William Pearse. The volume is extant in green, hard bound covers, with a gilt title reading ‘1916’ on the front cover.

Copies of an advertisement flier for the firm of James Pearse & Sons, sculptors, 27 Great Brunswick Street, Dublin.

Three copy photographic images showing James and Margaret Pearse with their children Margaret Mary (born 1878), Patrick (born 1879), William (born 1881) and Mary Brigid (born 1884). Manuscript annotation on the reverse of two of the prints reads ‘Photo’s Geoghegan’s, Dublin’.

Three images of sculptural monuments most likely related to the workshop of James Pearse. One of card images is annotated (‘Subjects from Pulpit, Athlone’).