Inscribed on the bowl: ‘Corn an Athar Mhic Amhlaoib. Buchaillí Fé 12 Bl’ [Boys’ Under 12]. The base includes silver shields denoting winners from 1969-1997.
A trumpet, music sheet and laurel leaf motif is engraved on the bowl. The wooden base has a silver shield indicating that the cup was presented by the Loreto Nelson School of String Playing. With shields indicating the winners of the competition from 1990-97.
Photographic print of Father Mathew Hall fronting onto the corner of Church Street and Nicholas Avenue. Pasted onto an annotated card: ‘Thomas F. Geoghegan, 2 Essex Street’. The print shows the Hall before the addition of the St. Brigid’s Hall extension in 1901.
Photographic prints of a performance of a 'Cinderella' musical in Father Mathew Hall. A manuscript annotation on the reverse of one of the prints reads: ‘Father Mathew Hall, Dublin’. The prints are held in glass frames.
Newspaper cutting reporting on a local tradition regarding the Alms’ House attached to the Capuchin Church founded in Kilkenny in the seventeenth century.
Although the Irish Capuchins had a long tradition of involvement with the temperance movement, their connection with this apostolate was reinvigorated in 1905 when the Catholic hierarchy invited the Order to preach a ‘national crusade’ on the merits of total abstinence. The Capuchins’ commitment to sobriety as a moral and social ideal was promoted through the founding of lay sodalities and temperance halls where the pledge to abstain from alcohol was taken. The Father Mathew Memorial Hall on Church Street was opened in 1891. Funded by voluntary subscriptions, this temperance hall was built by Joseph Kelly & Sons of Thomas Street, Dublin. The total cost was about £4,000. It was designed by Walter Glynn Doolin and was initially plainly decorated. Before the addition of extensions in 1904 the main auditorium was 73 feet in length and 39 feet wide. In total, there was accommodation for about 900 people. There was also a coffee bar, a billiard room, and a reading room. The interior of the auditorium was greatly embellished in 1909 when an elaborate proscenium arch, stage and gallery were added. The plasterwork was executed by the firm of John Ryan of Upper Abbey Street to the designs of Anthony Scott of O’Connell Street, Dublin. This series comprises records relating to the Hall’s primary function to promote sobriety ‘by providing instruction and healthful amusement’. It should be noted that the Hall’s drama group, band, debating society and athletics’ club were initially only open to total abstainers. The records also reflect the varied social functions of the Hall.
