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Rules of the Dublin Drama Festival held under auspices of the Father Mathew Hall, Church Street. The competition is confined to amateur drama groups, and players must be bona fide members of the group they are playing with. The winners qualified for the All-Ireland Drama Festival.

Script for 'The Bugle in the Blood – A tragedy in three acts' by Bryan MacMahon, 38 Ashe Street, Listowel, County Kerry. The script provides a list of actors playing the main characters in the play. 'The Bugle in the Blood' was MacMahon’s first stage play. It had its first performance in the Abbey Theatre in 1949.

Correspondence and other records relating to the staging of bingo competitions at Father Mathew Hall, Church Street. The file includes letters from P.J. Walsh & Company, solicitors, regarding applications for the renewal of licenses from the courts for the promotion of lotteries and other gaming activities. Correspondents include Br. Kevin Crowley OFM Cap., Fr. Senan Dooley OFM Cap. and Br. Daniel O’Brien OFM Cap. With promotional fliers, advertisements and notices regarding bingo meetings in the Hall.

Correspondence relating to the hiring of Father Mathew Hall mostly for rehearsals and performances of theatre shows and plays, and for use as a polling station. The file includes letters from the Dublin Grand Opera Society (DGOS); the British Federation of Festivals for Music, Dance and Speech; the Irish Life Dublin Theatre Festival; Dublin Corporation (regarding the hiring of the Hall for an exhibition in connection with the North King Street Improvement Scheme); Christ Church Cathedral Group; Opera Theatre Company, 18 St. Andrew Street, Dublin 2. The correspondents include Br. Kevin Crowley OFM Cap., President, and John Hanley, caretaker, Father Mathew Hall.

The 'Feis Maitiú' was established in 1909 by Fr. Aloysius Travers OFM Cap., who saw the need for a festival to encourage people interested in preserving Irish culture and language. The programme for the annual Feiseanna gradually expanded to include competitions for singing, instrumental music, speech and drama, in both English and Irish. The collection consists of organizational records and promotional materials which document the activities of the Father Mathew Feis from its inception. Correspondence and financial records document the development of the Feis, while other records such as competition results, photographs, posters and fliers primarily document competition productions and performances.

This section mainly includes organisational records, correspondence, clippings, financial records, scripts, and printed material related to Feis events.

Account book with records relating to entry payments from schools, participants and teachers. Some of the pages have typescript notices pasted in indicating the competition entered such as ‘preparatory elocution, girls, 11-12 years’.