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Flier for a Grand Bazaar to raise funds for the completion of the Church of St. Mary of the Angels, Church Street, Dublin. The prizes included: ‘30 fat sheep or £100 (1st); pony and phaeton or 50 guineas (2nd); Kerry cow’ (3rd); Diamond ring’ (4th); magnificent medallion, pure gold’ (5th); splendid Harp by Egan’ (6th).

The file also includes a flier for the ‘Lottery for the Marble Pulpit exhibited by the Operative Stonecutters’ Trade Association’, 1 May 1886 and a blank authorisation card for collectors for funds to pay off ‘the heavy debt on this Church and New Convent which is giving the Fathers much anxiety’. The card is authorised by Fr. Albert Mitchell OSFC. Another flier notes that ‘the new Church, which is now nearly completed, but over six thousand pounds in debt, is to be in every way worthy of being the temple of the Living God’. Reference is also made to the previous Capuchin chapel on the site: ‘The inhabitants of the neighbourhood are of the poorest class … at the ceremonies of religion in the old humble Church … the attendance of one thousand weekly attests the virtue of these poor Irish Catholics’. With a newspaper clipping from the 'Irish Press' referring to the discovery of a book of tickets for the said Grand Bazaar draw by Patrick Fitzsimons. The 'Irish Press' clipping is dated 20 October 1949.

Letters from Arnold Bax (1883-1953), 155 Fellows Road, London, and Grosvenor Hotel, Chester, to Fr. Michael O’Shea OFM Cap., President, Father Mathew Hall, Cork. In 1929 the Feis Maitiú Corcaigh invited Bax, a well-known composer and poet, to become an adjudicator marking the beginning of a 24-year friendship with the prestigious local music festival. Most of the correspondence relates to arrangements for the Cork Feis and other matters of musical interest. The file includes fifteen original items in Bax’s hand. With contemporary manuscript and later typescript copies of Bax’s letters. The file also includes a typescript appreciation of Arnold Bax possibly written by Fr. O’Shea. It reads ‘The way he [Bax] came to Cork was simple enough. I attribute his coming to the initiative of Frau Fleischmann in the meeting of the Feis Maitiú Committee that was considering adjudicators for the year 1929. I remember at the time that it was mentioned that Bax had rather a Celtic strain in his compositions and the he would like to come’. Also includes a newspaper cutting of a letter from Bax to the 'Daily Telegraph' referring to a performance by a choir at the Catholic Cathedral in Cork. In Irish and English.

A small collection of records relating to the Temperance Hall built on the grounds of the Capuchin Friary, Rochestown, County Cork. The Hall was officially opened for public use on 15 December 1913 by the Lord Mayor of Cork and Fr. Thomas Dowling OSFC (1874-1951), Provincial Minister. It consisted of a concert-platform, an auditorium, and spacious committee rooms which could also be used as classrooms. Despite the decline of the temperance movement, the Hall continued to function as a venue for local drama, music and dancing productions. Fr. Declan McFadden OFM Cap. (1901-1979) later strove to re-organise the management of the building which changed its name to Marian Hall in the early 1950s. Having laid vacant for many years, the former Temperance Hall at Rochestown was finally demolished in the 1990s.