History of the South Friary, Blackamoor Lane, Cork, by Fr. Francis Hayes OFM Cap. (1866-1946). The manuscript additions and corrections to the text are by Fr. Stanislaus Kavanagh OFM Cap. The history concludes by noting that the end of the Blackamoor Friary was noted in an ‘Old Account Book of the South Friary: “October 6th 1850. On this Sunday the South Friary was finally closed and the new Church of the Most Holy Trinity was opened on the 10th October being the birthday of the Very Rev. Mr. Theobald Mathew’. With copy photographic print of the old friary building on Blackamoor Lane. The print has been endorsed on the reverse by Fr. Carthage Ruth OFM Cap. It reads ‘Blackamoor Lane off Sullivan’s Quay, Cork city – behind Tax Office, built about 1771 by Friar Arthur O’Leary – used until 1850 when Fr. Mathew Memorial Church of the Holy Trinity was opened for divine worship’.
A lantern slide of a print titled ‘the historical tree of Ireland’. The print shows Daniel O’Connell addressing Erin and a cleric (most likely Fr. Theobald Mathew OSFC) delivering a blessing at the base of a tree. The tree itself is inscribed with notable events in Irish and British history such as 'Cromwell's Usurpation'.
Publisher: Dublin: P. Wogan Edition/Format: Third Edition Language: English Front cover has gilt engraving ‘Very Rev. T. Mathew’; The title page has a manuscript depiction of the Mathew family coat-of-arms with the initialed monogram of ‘TM’.
A postcard print showing the High Altar in St. Patrick's Roman Cathedral in Armagh. The design of the marble altar was by the Irish architect George Coppinger Ashlin (1837-1921). The postcard was printed by H. Allison & Son, Armagh.
Photographic prints of the High Altar, St. Mary of the Angels, Church Street. The church and altar appear to be decorated for the Forty Hours’ Devotion ('Quarant’ Ore'). A wider view of the decorated church interior is pasted onto the reverse of one of the larger prints.
Photograph of the High Altar, sanctuary and interior of St. Mary of the Angels, Church Street. A single unidentified friar is sitting in the pews. The photographer/studio is credited as Thomas F. Geoghegan, 6 Sackville Street, Dublin
