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Draft articles for submission for 'The Capuchin Annual'. The author of the texts is not given but it is possible they are by D.L. Kelleher (1883-1958). The titles include ‘Walking into Wigan Town in 1920’, ‘Traveller’s Joy / The Return of the Native’, ‘Paris / July 5th 1926’, ‘Saint Peter’s and Saint Paul’s, Cork’, ‘Pageant in High Street’, ‘I like Dublin’, ‘Shakespeare in the Cradle’, and ‘Lourdes / November 18th 1923’. It appears that many of the articles are incomplete.

Draft of an article by D.L. Kelleher (1883-1958) titled ‘Armagh City / First Impressions’, published in 'The Capuchin Annual' (1943).

Copy letter from Richard Mulcahy to the Most Rev. Michael Fogarty, Bishop of Killaloe (1859-1955), regarding apparent misrepresentations re the revolutionary period in a book by the historian, P. S. O’Hegarty (1879-1955).

Article by Edward A. Harrigan titled ‘A Bishop comes home’. The article refers to Bishop Edward J. Galvin (1882-1956), the founder of the Missionary Society of St. Columban, and the first Bishop of Hanyang, China.

Prints, transparencies and negatives used to illustrate an article by Bertie Donohoe titled ‘Galway’s New Cathedral’, published in 'The Capuchin Annual' (1966), pp 399-407. One of the prints shows Éamon de Valera, President of Ireland, arriving for the formal blessing and opening. The Cathedral of Our Lady Assumed into Heaven and St. Nicholas, Galway, was opened in August 1965.

Photographic prints compiled for an article by Prior Roger Schütz titled ‘Taizé’ published in 'The Capuchin Annual' (1968), pp 304-313. The file includes a letter from Fr. Paul Hennessy OCSO, to Fr. Henry Anglin OFM Cap. (5 July 1966), enclosing numbered photographic prints of Damstadt, Taizé and Erlach, and other illustrations to be used in the published article.

Photographic prints compiled for an article by Ethna Waldron, Keeper, Royal Hibernian Academy, titled ‘Joseph Malachy Kavanagh (1856-1918)’, published in 'The Capuchin Annual' (1968), pp 314-327. The file comprises photographic prints of paintings and illustrations of Kavanagh’s work.