Official results sheets for the Father Mathew Feis. The sheets include entries under the headings of competition title, place or ranking, name of competitor and number, and signature of official or adjudicator on duty. Occasional reference is made to the name of the school or teacher of the winning competitors.
Hall-marked silver and bronze Father Mathew Feis medals of uniform Celtic Cross design. Some of the medals have an orange ribbon fastener. The medals are engraved on the reverse with: • ‘1st prize Drawing & Designing (Class B). 1924’. • ‘Club Swinging Seniors. 1929’. • ‘Physical Culture – 1928-29-30. Maggie Hamilton’ (digital image above). • ‘Swedish Drill. Maggie Hamilton. 1930’. • ‘2nd Prize / Domestic Science / Crochet / 1925’. • ‘2nd Prize / Domestic Science/ Overall / 1925’. • ‘2nd Prize / Sewing / Class D / 1926’. • ‘Senior Club Swinging / 1930’. • ‘Senior Club Swinging / 1931’. • ‘Physical Culture / 1931’. • ‘Senior English Elocution / 1931 / Second’. Three of the Celtic Cross Feis Maitiú medals have no engraving on the reverse. The file also includes the metal die used to strike the Feis medal.
Silver Father Mathew Feis medals. The designs are not of uniform design. Some of the medals have a harp and musical score on the face. The medals are not engraved.
A collection of mostly un-captioned and undated photographs of performances and audiences in Father Mathew Hall, Church Street, Dublin. Many of the photographs are press photographs (mainly from the 'Irish Independent', 'Evening Press' and the 'Irish Press'). They include photographs of pantomimes ('Aladdin', 1956-7) and the ‘Mai MacCartney’ troupe of dancers. The file also includes press photographs of Feis competition winners. Only a few of the prints are annotated: ‘Maria Bennett, Paddy Corr, Phyllis Bennett. Taken by the 'Herald' photographer for “Patience”, May 1956’. There is one annotated colourised print in the file showing two girls called ‘The Dominoes’, Christmas Pantomime, 1952.
Photographic prints of prize winners and staff of the Father Mathew Feis, Church Street. The photographs are undated and un-captioned but includes a prize-giving ceremony involving Br. Kevin Crowley OFM Cap.
Report by Gráinne Mallon & Associates, 6 Merrion Square, Dublin 2, in association with Shane Redmond, auctioneer, on the properties held by the Capuchin Order on Church Street. The report delineates the existing properties held by the Capuchin Order (ecclesiastical premises, the Friary, Father Mathew Hall and the Day Centre) and makes recommendations in respect of rationalising the use of the properties in the context of urban renewal and development schemes proposed for the area. With a cover letter from Shane Redmond. The file also includes copy maps and plans. The cover is endorsed: ‘Carried out by Fr. Dan Joe O’Mahony OFM Cap. with a view to selling Father Mathew Hall’. With a letter from Shane Redmond (28 Oct. 1997) recommending that the ‘Order examine the many options the property can generate and that a decision may be taken about the future of its most influential friary in the capital city, based on the level of services the Capuchins will be able to provide there in the new millennium’.
Copy architectural, ordnance survey and sketch maps for an apartment and office development at the Bow Street Friary site. Includes copy plans by James Ahern, architects, 29 Belgrove Road, Clontarf, Dublin 3. (Scale: 1:500). The Bow Street Friary site comprised 1,544 square meters. Some of the plans relate to the proposal for the new Capuchin Friary on Church Street.
Letters referring to the campaign to preserve Father Mathew Hall as a community or heritage resource. The file includes letters from Senator Dermot Fitzpatrick and An Taisce which expressed concern that the Hall ‘should be restricted to use as a public amenity for the north side of Dublin and for the city generally’.
Letters and related records relating to the lease of Father Mathew Hall, Cork, by the Everyman Group Theatre Company. The agreement with the Company specified a lease for five seasons (October-April) commencing in November 1972 with a ‘view to increasing the occupancy of the Hall’. The Everyman Playhouse Ltd. agreed to have exclusive use and management of the Hall except during the period when the Feis Maitiú would be held. The file includes letters from Fr. Senan Dooley OFM Cap., Edmund Hayes, solicitor, draft and copy agreements re the lease and reports of the meetings of the representatives appointed by the Capuchin Provincial Definitory to negotiate with the Everyman Company. With a newspaper cutting from the 'Evening Echo' (6 Oct. 1972) titled ‘The Realisation of a Theatre “Dream”’ referring to the co-operative spirit of the Capuchin friars who agreed to a lease of the Hall ‘that covers the auditorium, offices and dressing rooms, but not the recreational rooms on the top floor’. The file also includes a copy page from 'The Father Mathew Record', 49, no. 12 (Dec. 1956), p. 7, giving a history of the Hall in Cork.
Letters to Fr. Maurice O’Dowd OFM Cap., President, Father Mathew Hall, Cork, from Fr. Killian Flynn OFM Cap., Livingstone, Northern Rhodesia, asking him to convey his thanks to the Father Mathew Players in Cork for putting on a pantomime in aid of the Capuchin missions in Africa. Fr. Killian writes: ‘You have helped supply us with the funds that put up stations, churches and schools and their furnishing. So your loyal assistance in the missions of Barotseland by solid buildings which will yet be the centres of a Catholic country’.