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Photographic prints of the interior (and High Altar) of the Oratory in Ard Mhuire Capuchin Friary in County Donegal. The prints have annotations on the reverse: ‘Fr. Augustine [Donal] O’Mahony OFM Cap.’ and ‘A. O’Shea, Art Studios, Letterkenny’. The prints were probably for publication in 'Eirigh', an Irish Capuchin periodical.

Photographic prints of exterior views of Ard Mhuire Friary and the Retreat Centre, Sheephaven Bay, County Donegal. Some of the images show the surrounding gardens and grounds (including a few images of snow-covered buildings). Some of the images are in the form of printed prayer cards.

Clipping from of an article titled ‘New Capuchin Home’ from 'The Father Mathew Record' (May 1930) referring to the opening of Ard Mhuire Capuchin Friary in County Donegal. The article reads:
'On the shores of Sheephaven Bay, there stands Ards House, the former home of the Stewart family. This house and adjoining estate have been in the hands of the Irish Land Commission, and the Capuchin Fathers purchased the residence and part of the surrounding land. … The house is large and commodious, and is in splendid condition, having been occupied until quite recently'.
The file also includes a article titled 'The Brown Habit in Tirconaill again' published in the 'Franciscan Annals' (May 1930) and a copy of a poem by Máire Ní Shioradáin titled 'Failte', composed for the friars on assuming ownership of Ards House.

Complete copies of the 'Derry Journal' (15 Nov. 1966, 18 Nov. 1966 and 19 Nov. 1966), 'Donegal Press' (18 Nov. 1966), and 'Donegal Democrat' (18 Nov. 1966) which include extensive reportage on the opening of the new Ard Mhuire Friary and Capuchin House of Studies. Includes photographic prints of Bishop Anthony McFeely (1909-1986) blessing the new church and friary and various friars and attendees at the celebration. The file also includes some loose clippings of articles (from the 'Irish Press' and 'Irish Independent') covering the opening.

Clippings of articles from the 'Irish Catholic' and 'Ireland’s' Own titled ‘Only Capuchin Friary in the West / Ard Mhuire sees many changes’ and ‘In Praise of Ard Mhuire, Donegal’. The articles refer to the history of Ard Mhuire Friary and in particular to its transformation into a retreat and conference centre in the diocese of Raphoe.

Notes compiled by Fr. Angelus Healy OFM Cap. and Fr. Stanislaus Kavanagh OFM Cap. on the history of Ards House and its acquisition by the Capuchin friars in 1930. Extensive reference is made to the previous occupiers of the estate:
'The Sampsons, the Wrays, the Stewarts, one of whom was married to Lady Isabella Toler, granddaughter of the notorious Lord Norbury are gone, and the Capuchin Fathers are in their ancient home. In the graveyard at Clondahorky, can be seen the grave of the second wife of the first Wray of Ards, and in the grounds of Ards, some trees recall the birthdays of members of the Stewart family. To the Capuchins however, a stronger appeal is made by a lonely tomb in the graveyard around Doe Castle, the last resting place of a Franciscan Friar, Rev. Father Dominick Curden “who departed this life August ye 17th. 1809, aged 85 yrs”'.
The file includes a newspaper cutting of a poem titled ‘On the return of the Brown-Robed Friars to Donegal’ by Bernard A. Furey.

Photographs showing the visit of Dr. Hendrik Verwoerd (1901-1966), Minister of Bantu Affairs in the South African government (he was later Prime Minister), to the Holy Family Mission at Katima Mulilo in the Caprivi Strip (situated in present-day Namibia but then under South African control). A typescript note is extant in the file. It reads: ‘The purpose of his visit to the Mission was to assess the possible implications of implanting the infamous Bantu Education Act into the Caprivi where, at the time, all the schools were administered by the Capuchins with the aid of a very meagre subsidy from the S.A. government. Dr. Verwoerd (the “architect of apartheid”, was assassinated during his reign as Prime Minister) enforced the Bantu Education Act, in the late 1950s, as a means of preventing black South Africans from receiving an education anywhere near the standard enjoyed by other ethnic groups, e.g. whites and coloureds’. One of the photographs shows Verwoerd (identified with an 'X') with various religious including Bishop Timothy Phelim O’Shea OFM Cap. and Fr. Bartholomew Prendiville OFM Cap., superior of the Katima Mulilo Mission. See also CA AMI/2/10/3/110.

Notebook containing a record of the baptisms at the Loanja mission, Bartoseland, Northern Rhodesia. The record (which includes entries of adult baptisms and references to 'articulo mortis' or 'at the moment of death') was compiled by Fr. Seraphin Nesdale OFM Cap. (1897-1980). The entries are listed under local (birth) name, tribe, village, Christian name, date of baptism, minister officiating, date, and in some instances date of death and place of burial. The end pages of the volume also contain miscellaneous notes re baptisms at the mission. With manuscript annotations (in Irish) by Fr. Padraig Ó Cuill OFM Cap. re Fr. Seraphin.

A collection of colour photographic prints of Victoria Falls and the surrounding area (including Livingstone Island and Forest Gorge) compiled by Br. Andrew O’Shea OFM Cap. The file includes some postcard prints. Some of the prints also show Fr. Hugh Murphy OFM Cap., Br. Daniel O’Brien OFM Cap. and Fr. Declan O’Callaghan OFM Cap. The file includes a typescript copy of an ‘Extract from Dr. David Livingstone’s Missionary Travels on the Zambezi’. The album was compiled by Br. Andrew O’Shea in 1982. The prints are captioned and are held in plastic sleeves. The prints have been removed from the ring folder.

Minute book of the Father Mathew Centenary Committee which had the responsibility for financing and erecting the statue of the Apostle of Temperance on Sackville (later O’Connell Street), Dublin. The Centenary Committee was made up of Catholics, Anglicans and other Protestant denominations and notably received the support of the Most Rev. William Plunket, Baron Plunket, the Church of Ireland Archbishop of Dublin: ‘Most thoroughly do I sympathize in any movement for honouring the memory of one to whom the cause of temperance in this land is so largely indebted’. (10 Oct. 1889).
Prominent public (non-clerical) figures in the committee included:
George Noble Plunkett (1851-1948) an Irish nationalist and father of Joseph Plunkett, one of the executed leaders of the 1916 Rising.
John Redmond MP (1856-1918), an Irish home rule nationalist, later leader of the Irish Parliamentary Party.
Michael Davitt (1846-1906), a nationalist and agrarian campaigner.
Thomas Sexton MP (1848-1932), Lord Mayor of Dublin.
William Martin Murphy MP (1844-1919), a businessman and politician.
Timothy Charles Harrington MP (1851-1910), a member of the Irish Parliamentary Party.
The minute book reveals that from the outset committee members were in support of resolutions which would place the statue in a prominent public place in the city. For instance, Thomas Connolly suggested that a ‘statue should be erected similar to the O’Connell [monument], and that it should be placed at the other end of O’Connell Street so that people might be reminded by the two monuments of the two great men who were in a sense the complement of one another …’. (Oct. 1889).
• This intent was formalised in a resolution forwarded by the Committee to Dublin Corporation on 1 May 1890 ‘requesting them to grant a site in Upper O’Connell Street, Dublin, for the erection of the Memorial Statue to Father Theobald Mathew’. (1 May 1889).
• The aim of the Centenary Committee was from the beginning to site the statue in the most prominent space available in the city linking the historically concurrent campaigns undertaken by Fr. Mathew (temperance) and O’Connell (emancipation and repeal). It should also be noted that the Corporation was unanimous in granting the O’Connell Street site. (15 May 1890).
• An application was made to the boundary surveyor to obtain ‘the consent of the Corporation for a 16 feet square space on the site known as the “Retreat” in Upper O’Connell Street which has been already allotted to the Committee for the erection of the Father Mathew Centenary Memorial’. (5 June 1890).
The siting of an Fr. Mathew Statue on the main thoroughfare (St. Patrick’s Street) running through Cork city in 1864 influenced the Dublin Committee: Henry Brown reminded the Committee that the ‘citizens of Cork had already placed Father Mathew’s Statue in their city, where he remembered standing on the platform in Patrick’s Street, while the Mayor of Cork, John Francis Maguire MP was unveiling Foley’s exquisite statue’. (Oct. 1889). By October 1892 a total of £1,114 5s 3d had been collected by the Centenary Committee (13 Oct. 1892). The minute book includes subscription lists, accounts and pasted-in newspaper clippings re meetings of the committee and its efforts to raise funds for the memorial. Funding was sourced from various local temperance societies (both Protestant and Catholic), workingmen’s clubs, national schools and colleges, and public and professional bodies (corporations and the police force). Donations were received from across Ireland and from Irish emigrant communities in America, Canada, Australia and elsewhere.
The resolutions adopted at the official unveiling of the statue on 8 February 1893 reflected the widespread appeal of the Fr. Mathew commemoration and the ‘placing of a statue among the public monuments of the metropolis’:
• ‘That as the Rev. Theobald Mathew loved his countrymen of all creeds and laboured zealously for their moral improvement and temporal prosperity, this great meeting rejoices that this public monument to his memory has been erected to remind our people of what he accomplished in the cause of total abstinence’.
• ‘That the Centenary Statue of the Rev. Theobald Mathew having been erected by subscriptions from men of all parties, and regardless of religious distinctions, it is appropriate that it be now unveiled by the Right Hon. James Shanks as Lord Mayor of the City of Dublin’. (2 Feb. 1893).
Reference is also made in the Centenary Committee minute book to the very novel nature of the award of the commission to a female sculptor. Count Plunkett, a leading member of the Committee, referred to ‘the merit which characterizes the design of Miss Redmond, a young artist who had made her mark, not only in this country but on the continent, in spite of her youth’. (1 May 1890).