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Item Father Mathew Hall, Dublin
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The Gertrude Morris Perpetual Cup

Inscribed on bowl: ‘The Gertrude Morris Perpetual Cup. Presented by Gertrude Morris. 1957’. On reverse of the bowl: List of winners from 1957-1996. With detached base.

The McCullough Trophy

Inscribed on the bowl: ‘McCullough Trophy for Senior Solo Open Wind Competition. Father Mathew Feis 1959. Presented by McCullough’s Ltd., Dawson Street, Dublin’. The base includes inscriptions indicating winners from 1959-95.

The Capuchin Periodicals Cup

Inscribed on the bowl: ‘Capuchin Periodicals Cup. Piano Senior Rosebowl. Do Bhronn an corn so ar Fheis Mhaitiú 1970’. On reverse of the bowl: List of winners from 1972-1997. With lid cover.

The Patrick Kavanagh Cup

Inscribed on the bowl: ‘Patrick Kavanagh Cup. Presented by Mrs Kilcullen’. The base includes silver shields indicating the winning competitors and their schools. The reverse of the bowl is also inscribed with winners’ names from 1971-97.

Ballet Trophy

Brass Greek Goddess style trophy. The marble base has a shield indicating that this trophy was awarded for Feis Maitiú ballet competitions.

The Junior Choir Unison Cup

Inscribed on the bowl: ‘Feis Maitiú Junior Choir Unison’. On reverse of the bowl: The winners of the competition from 1993-95 (Our Lady’s Junior School, Templeogue).

Exterior of Father Mathew Hall

Photographic print of the exterior of Father Mathew Hall, Church Street, showing the old ‘Halla Maitiú’ sign (now extant in the Irish Capuchin Archives).

Receipt and expenses account

Receipt and expenses account for Father Mathew Hall certified by Patrick Rooney and Thomas Conroy. The expenses include the hire of band masters and printing costs.

Letter to Fr. Columbus Maher from Walter Glynn Doolin

Letter to Fr. Columbus Maher OSFC from Walter Glynn Doolin, architect and civil engineer, 20 Ely Place, Dublin, regarding the design of the proposed Father Mathew Temperance Hall, Church Street. Doolin referred to Fr. Maher’s ‘instructions to provide a Hall capable of seating 1,000 persons exclusive of a permanent stage’ and submits detailed plans for the dimensions and layout of the Hall. Doolin affirmed that ‘there are upwards of 150,000 cubic feet in the building and I do not see how this amount of work can be done for much under £2,000’.

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