‘Capital Series Journal’ containing expenditure and receipt accounts. An annotation on the front cover reads: ‘Father Mathew Hall account, 1958 … continuation from Old Book’. The volume contains expenditure and receipt accounts from 1 July 1958 to 30 Aug. 1958. Typescript insert dated 12 Aug. 1958 notes lodgements to bank (debit: £2,943 3s 1d) and by cheque (credit: £2,790 9s 8d. Balance at 12 Aug. 1958: £175 10s 1d).
Letters to Fr. Gilbert Bermingham OFM Cap., President, and Fr. Virgilus Murtagh OFM Cap. from Milward, Jones, Mayne and Knapp, solicitors, 6 Dawson Street, Dublin, concerning negotiations with the Commissioners of Charitable Donations and Bequests for the sale of Father Mathew Hall by the trustees to the Capuchin Order, for £7,000. Gerard O’Rourke wrote to Fr. Gilbert on 12 Nov. 1964 to explain that the ‘Commissioners would not agree to the purchase price of the Hall being used for the reconstruction of the Hall because the Hall would then belong to the Capuchin Order and would cease to be taken as a memorial to Fr. Mathew’. An order from the Courts directing that the assets of the trust be transferred to the Capuchin Order is referred to in a letter 2 July 1968.
Letters to Fr. Benedict Cullen OFM Cap. from Gaffney Halligan & Co., solicitors, Artane Roundabout, Dublin 5, requesting information to enable the purchase of the freehold interest in 128 Church Street, and 1, 1A and 6 Nicholas Avenue, Dublin 7. The solicitors note that the Capuchin friars did not appear to ‘own the freehold of the above properties, as their title appears to be leasehold held under a lease from Samuel Worthington who in turn held his interest from the Merchant Tailors’ School’.
Letter from Br. Daniel O’Brien OFM Cap., President, Father Mathew Hall, Church Street, to Fr. Dermot Lynch OFM Cap., Provincial Minister, enclosing a report from Kerrigan, Sheanon and Newman, quantity surveyors, Earlsfort Court, 16 Lower Hatch Street, Dublin 2, regarding a schedule of necessary refurbishment and repairs required to the Hall.
Scale: 8 feet to 1 inch Blue print of an electrical installation at Father Mathew Hall, Church Street. The plan shows various electrical works to be done in the auditorium, orchestra, stage and other rooms in the Hall. Plan by N. Mathews, consulting engineer, 104 Grafton Street, Dublin.
Wooden Father Mathew Feis Plaques of uniform design awarded for the following competitions as denoted by the engraved shields: Junior Choirs Cup Two Parts Primary Schools Choirs Cup Secondary Schools Choirs Cup Strings & Wind Concerto Cup Cello Under 18 Male Vocal Solo Under 21
Two photographs of the Father Mathew Hall Orchestra on stage. The group includes Fr. Gerald McCann OFM Cap. (front row, fifth from the right). Ink stamp on the reverse of one the prints reads: ‘Thomas Mathews, photographer, 6 Wynnfield Rd., Rathmines, Dublin’.
Copy of an unsigned letter from Father Mathew Hall, Queen’s Street, Cork, to Kevin Bourke, Strand Electric, 62 Dawson Street, Dublin, referring to the pantomime show in the Hall. With enclosures referring to a cheque payment and a poem titled 'The Poppy Boy'.
Correspondence mainly relating to repair work and insurance requirements for Father Mathew Hall, Cork. Includes letters from John A. Deasy, consulting engineer, Kelly and Barry & Associates, chartered architects, Br. Paul O’Donovan OFM Cap., and Barry O’Driscoll, solicitor.
Letters from Arnold Bax (1883-1953), 155 Fellows Road, London, and Grosvenor Hotel, Chester, to Fr. Michael O’Shea OFM Cap., President, Father Mathew Hall, Cork. In 1929 the Feis Maitiú Corcaigh invited Bax, a well-known composer and poet, to become an adjudicator marking the beginning of a 24-year friendship with the prestigious local music festival. Most of the correspondence relates to arrangements for the Cork Feis and other matters of musical interest. The file includes fifteen original items in Bax’s hand. With contemporary manuscript and later typescript copies of Bax’s letters. The file also includes a typescript appreciation of Arnold Bax possibly written by Fr. O’Shea. It reads ‘The way he [Bax] came to Cork was simple enough. I attribute his coming to the initiative of Frau Fleischmann in the meeting of the Feis Maitiú Committee that was considering adjudicators for the year 1929. I remember at the time that it was mentioned that Bax had rather a Celtic strain in his compositions and the he would like to come’. Also includes a newspaper cutting of a letter from Bax to the 'Daily Telegraph' referring to a performance by a choir at the Catholic Cathedral in Cork. In Irish and English.
