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A small collection of records relating to the Temperance Hall built on the grounds of the Capuchin Friary, Rochestown, County Cork. The Hall was officially opened for public use on 15 December 1913 by the Lord Mayor of Cork and Fr. Thomas Dowling OSFC (1874-1951), Provincial Minister. It consisted of a concert-platform, an auditorium, and spacious committee rooms which could also be used as classrooms. Despite the decline of the temperance movement, the Hall continued to function as a venue for local drama, music and dancing productions. Fr. Declan McFadden OFM Cap. (1901-1979) later strove to re-organise the management of the building which changed its name to Marian Hall in the early 1950s. Having laid vacant for many years, the former Temperance Hall at Rochestown was finally demolished in the 1990s.

Although the Irish Capuchins had a long tradition of involvement with the temperance movement, their connection with this apostolate was reinvigorated in 1905 when the Catholic hierarchy invited the Order to preach a ‘national crusade’ on the merits of total abstinence. The Capuchins’ commitment to sobriety as a moral and social ideal was promoted through the founding of lay sodalities and temperance halls where the pledge to abstain from alcohol was taken. The Father Mathew Memorial Hall on Church Street was opened in 1891. Funded by voluntary subscriptions, this temperance hall was built by Joseph Kelly & Sons of Thomas Street, Dublin. The total cost was about £4,000. It was designed by Walter Glynn Doolin and was initially plainly decorated. Before the addition of extensions in 1904 the main auditorium was 73 feet in length and 39 feet wide. In total, there was accommodation for about 900 people. There was also a coffee bar, a billiard room, and a reading room. The interior of the auditorium was greatly embellished in 1909 when an elaborate proscenium arch, stage and gallery were added. The plasterwork was executed by the firm of John Ryan of Upper Abbey Street to the designs of Anthony Scott of O’Connell Street, Dublin. This series comprises records relating to the Hall’s primary function to promote sobriety ‘by providing instruction and healthful amusement’. It should be noted that the Hall’s drama group, band, debating society and athletics’ club were initially only open to total abstainers. The records also reflect the varied social functions of the Hall.