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A view of Knocklofty Bridge over the River Suir in about 1930. The bridge is located near Clonmel on the border between Counties Tipperary and Waterford. This three-arch limestone structure dates to circa 1770 and is attributed to the Cork-born architect Thomas Ivory (c.1732-1786), a highly significant figure in the building of Georgian Dublin.

A view of Knocklofty Bridge over the River Suir in about 1935. The bridge is located near Clonmel on the border between Counties Tipperary and Waterford. A manuscript annotation on the reverse of the print reads 'Knocklofty Bridge (River Suir) / dividing County Waterford from County Tipperary'.

A view of the Anglers Rest Hotel and the Strawberry Beds from Knockmaroon Hill (situated between Chapelizod and Castleknock) in Dublin. A manuscript annotation on the reverse of the print reads 'Valley of the Liffey from Knockmaroon Hill, County Dublin'.

Two views of Kylemore Abbey in Connemara, County Galway, in about 1940.

A clipping of members of the Women’s National Health Association (WNHA) in Dublin in 1915. The image was published in the ‘Irish Life’ magazine (19 February 1915) on the occasion of the departure of the WNHA’s founder Ishbel Hamilton-Gordon (Lady Aberdeen) from Ireland. She is the central figure in the front row. (Volume page 155)

A leaflet with the text of a lament for Thomas Ashe by Seán Ó Cathasaigh (Seán O’Casey). Printed in Dublin by Fergus O'Connor.

An image of archway and lane way in Killarney in County Kerry. A manuscript caption to the print reads 'Wet day, Killarney'.

An image of men launching a currach from a rocky inlet on the Blasket Islands off the Dingle Peninsula in County Kerry.

A clipping of an article advertising the ‘Varnishing Day’ exhibition in the Royal Hibernian Academy in Dublin. The article includes images of Laurence Campbell’s sculptural busts of Fr. Gerald McCann OFM Cap., Bishop William MacNeely, and Fr. Senan Moynihan OFM Cap. The article was published in the ‘Irish Press’ (13 April 1946).

A clipping referring to an exhibition of paintings by Sir John Lavery and Lady Lavery at the Alpine Club Galleries in London. The article is taken from the ‘Irish Independent’ (12 October 1921). (Volume page 179).