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A postcard print of the grave of Fr. Nicholas Sheehy in Clogheen in County Tipperary. Father Sheehy (c.1728-1766) was a local priest who was executed following what were widely believed to be false charges of involvement in agrarian unrest during the Penal Law era.

A night-time view of the Father Mathew Statue and behind it the scaffolded façade of the Carlton Cinema on O’Connell Street in Dublin.

Printed facsimile of a letter from Fr. Albert Bibby to the editor of ‘The Monitor’ referring to his worsening condition in in St. Francis Hospital in Santa Barbara, California. He writes ‘It is hard to feel that that I may not see dear old Ireland again, or my good mother, sisters and friends there. It would lessen the sacrifice to be laid to rest with Rory [O’Connor] and the boys in Glasnevin’. He adds that he has no bitterness towards his political opponents’. (Volume page 91).

A clipping of an article reprinting a copy of Fr. Albert Bibby’s final letter to Éamon de Valera pledging his ‘unchanged and unchangeable, and uncompromising’ allegiance to the Republic and to you, its President’. He argues that ‘in the movement for the independence of Ireland I have always endeavoured to remember that I was a Capuchin Priest’. The volume also includes a covering letter from Fr. Dominic O’Connor OFM Cap. to de Valera enclosing Bibby’ letter and referring to the latter’s ailing health. O’Connor concludes by stating that it is ‘better to die in agony than for freedom than live in luxurious freedom’. (Volume page 116).

An image of resting labourers on a farm in Rockwell near Cashel in County Tipperary in about 1955.

A view of two farmers at work on Inishmaan (Inis Meáin), one of the Aran Islands off the coast of County Galway, in about 1930.

A view of a farmer sowing seeds in a ploughed field. A manuscript annotation on the reverse of the print reads 'The sower went out'.

An image of a farmer with a draught (dray) horse pulling a plough in West Cork in about 1960.

A family group around a traditional spinning wheel outside a cottage in rural Ireland in about 1945. A manuscript annotation on the reverse of the print reads 'Ireland’s wheel of fortune'.

Photographic print of an unidentified family group. The group includes the father and presumably the eldest son in military uniform. Three younger boys, a mother, and presumably a daughter are also present in the image.