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Note (possibly by Patrick Pearse or William Pearse) on St. Enda’s School-headed paper. The note refers to the need to obtain the ‘creditors’ money’.

Attendance record of the first and second Dublin Battalions of the Irish Volunteers. The entries are dated 15 April 1916. The record includes the signatures of Seán Heuston (Seán Mac Aodha), Richard McKee, Mícheál Ó Murchadha, The O’Reilly (Ua Rathghaille), William Pearse, and Thomas MacDonagh.

A flier for the School of Irish Learning, 27 Clare Street, Dublin. The director is noted as Kuno Meyer, and a list of governors is provided. The flier is incomplete.

A copy of ‘An Artist of Gaelic Ireland by Æ [George Russell]’ / Reprinted from the 'Freeman’s Journal'.

Postcard to Margaret Mary Pearse, 39 Marlborough Road, Donnybrook, Dublin. The correspondent signature reads ‘May’. The postcard shows a view of Menlough Castle, County Galway.

Letter to Margaret Mary Pearse from a Jesuit priest at St. Francis Xavier Church, Upper Gardiner Street, Dublin, inviting her to the Father Theobald Mathew celebrations in the Mansion House. The letter concludes with ‘God bless our new Senator’.

Photographic print of a residential house. Manuscript annotation on the reverse reads ‘1913’. The location may possibly relate the area around Cullenswood House on Oakley Road in Dublin.

Studio portrait photograph of Margaret Pearse. Includes original print on card and possibly a later enlargement of the same image.

Copy letter from James Pearse to Charles Bradlaugh. The letter reads ‘I am placed in a very paradoxical position – an image maker by profession and an image breaker by inclination’. He adds ‘I have been dangling – to use a scriptural phrase – between Hell and Heaven for the last twenty five years of my life: only that I reverse the meaning of the words: - everything appertaining to ecclesiasticism I regard as the former; and to be free of which, I regard as the latter’.

Five cartes de visite of sculptural monuments related to the workshop of James Pearse, 27 Great Brunswick Street, Dublin. Some of cards are annotated by James Pearse. Two of the images are described as the ‘Pulpit / Inchicore / Rough model’. One of the cards is annotated on the reverse ‘Pearse & [Edward Sharpe, sculptors]’. One of the cards is credited to the studio of William Lawrence, photographer, 5 & 7 O’Connell Street, Dublin. The decoration of the altar and communion rail in the Church of Mary Immaculate on Tyrconnell Road in Inchicore, Dublin, was crafted by James Pearse. This prominent church was built for the Missionary Oblates of Mary Immaculate between 1875 and 1880.