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A programme for a concert organised by Cumann na mBan in Bray, County Wicklow. The date is not given but an accompanying note elsewhere in the volume suggests that the event was held just a few weeks before the 1916 Rising. Many of the performers in the concert were participants in the Rising. Douglas ffrench-Mullen (1892-1943) was a younger brother of Madeleine ffrench-Mullen, the well-known republican, feminist, and labour activist. He served in the South Dublin Union under Éamonn Ceannt during the Rising. He was wounded during the fighting and was detained initially in Richmond Barracks and later at Frongoch Camp in Wales. Ffrench-Mullen was released in September 1916. His fellow accompanist at the Bray concert was the Carlow-born Cathal Mac Dubhghaill (d. 1926). A talented musician and composer, he arranged the music for Peadar Kearney ‘A Soldier’s Song’ in its published form. He participated in the Rising and was afterwards interned at Frongoch Camp, where he illustrated several well-known sketchbooks. Gerard Crofts (1888-1934) was a poet and operatic singer. During the Rising, he served with Commandant William James Brennan-Whitmore in the General Post Office and in the final retreat to Moore Street. He was court-martialled and sentenced to ten years imprisonment but was released under the terms of a general amnesty in June 1917. Seosamh MacCathmhaoil (Joseph Campbell) was born in Belfast in 1879 and emerged as an influential poet and Irish music lyricist. He supported the Rising and was active as a non-combatant during Easter Week, performing rescue and first-aid work. In 1917, he published a translation from Irish of the short stories of Patrick Pearse. He died in County Wicklow in June 1944. (Volume page 190).

A photograph of the crowds assembled outside Bow Street Court in London during the trial of Roger Casement. A manuscript annotation on the reverse reads ‘Casement trial / crowd outside Bow Street Court’. The copyright for the print is given as ‘Newspaper Illustrations Ltd. / 161 Strand W.C., London’.

A print of a drawing of the Crawford School of Art (now the Crawford Art Gallery) in Cork. The illustration is by Somhairle McCann, Principal of the School of Art from 1937 to 1967.

The subseries comprises a small collection of papers relating to the Irish scholar and writer An tAthair Peadar Ó Laoghaire (Peter O’Leary). Ó Laoghaire was a prominent Irish language activist and member of Conradh na Gaeilge (Gaelic League). He published numerous books and articles on a range of topics, including an autobiography (‘Mo Sgéal Féin’), the first drama in Irish (‘Tadhg saor’), original prose, Irish translations of the Gospels, and translations of medieval Irish texts. The collection includes his letters to Fr. Augustine Hayden OFM Cap. and Fr. Albert Bibby OFM Cap., two Capuchin friars who shared Ó Laoghaire’s enthusiasm for the promotion of the Irish language. This collection also includes some material relating to Ó Laoghaire’s published work, particularly clippings of his transcriptions and translations of Irish texts, and a manuscript draft of ‘An Craos-Deamhan’. Fr. Senan Moynihan OFM Cap. was interested in Ó Laoghaire’s career and sought to promote his contribution to the Irish language. He seemingly acquired most of this material for personal research. The Ó Laoghaire collection was later preserved among Moynihan’s personal papers.

A clipping of a report on the St. Patrick’s Day parade in Cork city at which the local regiment of Irish National Volunteers honoured the ‘400 Volunteers who are fighting for Ireland in the trenches’. The article is taken from the ‘Daily News’ (18 March 1916).

A photograph of a sketch of James Ryan, a revolutionary and later a Fianna Fáil politician. The original sketch was drawn by Seán O’Sullivan (1906-1964) and is dated 1937.

Photographic print of Sir John Lavery’s painting titled ‘High Treason: The Appeal of Roger Casement, The Court of Criminal Appeal, 17 and 18 July 1916’. A manuscript annotation on the reverse of the print credits the photograph to T.F. Geoghegan, 2 Essex Quay, Dublin.

A copy print of an engraving of Patrick Sarsfield, 1st Earl of Lucan (c.1655-1693), an Irish Jacobite soldier. The source of the original print is not given but it likely dates to the mid-eighteenth century. A note states that the likeness of Sarsfield is derived from the ‘original picture in the possession of Sir Charles Bingham Bart. of Castlebar in the County of Mayo, in the Kingdom of Ireland’.

Copy black and white portrait print of Roger Casement.

Copy letter from Roger Casement, Pentonville Prison, to Fr. E.F. Murnane dated 16 July 1916. With a copy extract from a letter from Fr. Murnane, Presbytery, Dockhead, [Bermondsey, London, S.E.], to George Gavan Duffy (Aug. 1917). The extract reads ‘He [Casement] faced death like a gallant Irish gentleman with the added courage and confidence of a good catholic. He talked freely of his death and was looking forward to his confession …’. The copy file concludes with a copy extract from a letter from Fr. James Carey, prison chaplain, giving a brief account of Casement’s piety before his execution.