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With digital objects Papers of Fr. Senan Moynihan OFM Cap.
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A Recruiting Come-all-ye

A flier with the text of a ballad titled ‘A Recruiting Come-all-ye’. The ballad derides the recruitment of Irishmen into the British armed forces.

A Great Irish Benedictine

A biographical sketch of the life of Dom Columba Marmion OSB titled ‘A Great Irish Benedictine’. The sketch appears to be incomplete (p. 24/26). The remainder of the typescript is a compilation article on various monastic sites associated with Saint Columbanus in Italy including Bobbio Abbey.

A Belfast Painter’s Rambles in Dublin

A clipping of an article on street life in Dublin written by the Belfast-based artist George Campbell. The article was published in the ‘Irish Travel’ magazine in February 1945. Campbell’s article includes a description of the stalls and markets on Horseman’s Row which formed part of the old Anglesea Market site near Moore Street. Reference is also made to Campbell's visit to the office of ‘The Capuchin Annual’ on nearby Capel Street, occupied by the editors of the periodical, Fr. Senan Moynihan OFM Cap. and Fr. Gerald McCann OFM Cap.

1916 Mementos held in Britain

A clipping of an article referring to various documents and objects associated with the 1916 Rising held in various collections in Britain. Reference is made to the naval ensign salvaged from the German gun-runner ‘Aud’. The article was published in the ‘Irish Press’ (7 April 1947).

1916 Dead are Honoured, Arbour Hill, Dublin

A clipping of a photograph of commemoration service for the 1916 leaders at Arbour Hill in Dublin. Fr. Senan Moynihan OFM Cap. is among the clergy in attendance. The clipping is taken from the ‘Irish Press’ (5 May 1948).

‘Ultach’ / ‘Orange Terror’ Illustration

An illustration referring to the pseudonym ‘Ultach’ used by J.J. Campbell for ‘Orange Terror’ article published in ‘The Capuchin Annual’ (1943). The illustration is an adaptation of the story by Aesop of the fox (the Orange Order) attempting to trick the rooster (‘Ultach’) into coming down from his perch. The drawing is probably by the artist Richard King (1907-1974).

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